Minggu, 31 Januari 2010

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Kiss of the Spider Woman, by Manuel Puig

Translation of: Beso de la mujer ara~na.

  • Sales Rank: #68362 in Books
  • Brand: Brand: Vintage
  • Published on: 1991-04-03
  • Released on: 1991-04-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .62" w x 5.16" l, .49 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

Review
Novel by Manuel Puig, published in 1976 as El beso de la mujer arana. Mostly consisting of dialogue between two men in an Argentine jail cell, the novel traces the development of their unlikely friendship. Molina is a middle-aged homosexual who passes the long hours in prison by acting out scenes from his favorite movies. Valentin is a young socialist revolutionary, who initially berates Molina for his effeminacy and his lack of political conviction. Sharing the hardships of a six-month prison term, the two eventually forge a strong relationship that becomes sexual. In an ironic role reversal at the end of the novel, Molina dies as a result of his involvement in politics while Valentin escapes the pain of torture by retreating into a dream world. -- The Merriam-Webster Encyclopedia of Literature

Language Notes
Text: English (translation)
Original Language: Spanish

About the Author
Manuel Puig is the acclaimed author of many novels, including Betrayed by Rita Hayworth, Kiss of the Spider Woman, and The Buenos Aires Affair. He was born in Argentina in 1932 and died in Mexico in 1990.

Thomas Colchie is an acclaimed translator, editor, and literary agent for international authors. He is the editor of "A Hammock Beneath the Mangoes," He has written for the "Village Voice" and "The Washington Post," His translations include Manuel Puig's "Kiss of the Spider Woman" and (with Elizabeth Bishop, Gregory Rabassa, and Mark Strand) Carlos Drummond de Andrade's "Travelling in the Family,"

Most helpful customer reviews

29 of 31 people found the following review helpful.
for the footnotes
By A Customer
Since there are already so many reviews for this excellent book, I will limit my contribution to a few comments on the footnotes. They are not mere postmodern flourish, nor are they superfluous. They function in several ways. First, they mark a certain reception of psychoanalytic theory in Argentina. Secondly, although in the beginning they correspond to the story (in the tradition way that footnotes do -- as elaboration on a point that cannot be contained in the narrative) they begin to loose their direct correspondence as the story continues. This "unraveling" corresponds to the unraveling of the framing device (most importantly the telling of stories), which traditionally is a narrative structure that functions to hold sexual desire at bay. In other words, the footnotes lose their hold as the characters become closer, sharing more personal facets of their lives, and eventually becoming sexual. In this way the footnotes subtend the narrative in such a way as to track sexual desire and the confusing and contradictory aspects (and theories) that attend to it. I think it is essential to read the footnotes along with the narrative since they add to Puig's experimental narrative style. If they are confusing, that is the point. Unexpected desire, like love, always is.

11 of 11 people found the following review helpful.
Don't read this, read the book!!
By Stephanie Zuercher
This book was recommended to my by a very enthusiastic friend, and I must say, having finished the book, I understand why. Roughly, the story is about two men in prison: Luis Molina, the homosexual window dresser, and Valentin Arruiga Paz. That, however, only begins to describe it. It's also about movies: Molina tells the plots of movies, partially to pass the time, partially because these movies -- living these movies -- is his escape. He prefers the movies from the forties and fifties, with the real divas, short hair, lots of blood-red lipstick . . . The movies aren't just time-passers, either: they reflect the events of the book.
The style is one of the most outstanding features of the book. It is almost entirely in dialogue, with some brief spates into play-format and a couple of police reports. It varies with the setting. There are also a couple of sections in stream-of-consciousness, where one receives Molina's movies as he thinks of them, no bothering with sentences. It all contributes to a wonderful effect.
I have, however, heard, that although this is the only translation available, it isn't the best. For example, Molina refers to himself as a woman throughout the book in the Spanish version. Although this isn't as possible in English, one could have made more of an effort, to preserve the feel of the original.
So go learn Spanish (if you don't know it already) -- but read this first!

10 of 11 people found the following review helpful.
A beautiful and tragic love story
By A Customer
This is a beautiful book, and I must say that it is much better than the movie. From watching the movie, you get the sense that Molina tells the movies only to pass the time and entertain himself, while the fact that Molina IS the movies that he relates - that he lives the movies in his mind, that they have always been an escape for him, an escape from the prison in which he always finds himself, whether physical or societal - is emphasized much more significantly in the novel.
This is a story of immediate feeling and passion, of the harshness and smallness of life, the desire for transcendence through the love of and for another, and the power that the imagination ultimately has over reality. In the end, Valentin gives in to Molina's philosophy, unable to stand the cruelty and torture that he undergoes as a jailed revolutionary. And for Molina, you feel that even though his one true experience of love was momentary, it was enough to give his life meaning.

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Rabu, 27 Januari 2010

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Working With Words: a Guide to Teaching and Learning Vocabulary, by Ruth Gairns; Stuart Redman

  • Published on: 1986
  • Binding: Paperback

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The Associated Press Stylebook 2016, by The Associated Press

The 2016 edition of The Associated Press Stylebook and Briefing on Media Law includes nearly 250 new or revised entries – including lowercasing internet and web.

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  • Sales Rank: #52196 in eBooks
  • Published on: 2016-08-01
  • Released on: 2016-08-01
  • Format: Kindle eBook

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4 of 4 people found the following review helpful.
Kindle Version = Terrible.
By Gabriel F.
Kindle version is atrocious--purchased to use on iPad via the Kindle App. Difficult to navigate. Pages go by "location" rather than page number... Would like to know this prior to purchasing kindle versions of books. Information is just as good as the physical 2015 AP Stylebook.

0 of 0 people found the following review helpful.
Five Stars
By Karla Silva
I have the online kindle version and it's easy to use and just as good as a paper copy.

0 of 0 people found the following review helpful.
A must for a writer's library
By Jessica
This book it necessary especially with all the writing being done for online content.

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Understanding Options 2E, by Michael Sincere

The options investing bestseller—updated with new facts, charts, and strategies to help you beat today’s tough markets

This new edition of Understanding Options provides all the basics you need to get started in the increasingly popular options market. Important new material includes overcoming assignment anxiety, LEAPS, the Greeks, protective and married puts, the collar, credit and debit spreads, straddles, the strangle, and options tips.

Michael Sincere is a full-time columnist, writer, and author of numerous books, including Understanding Stocks and All About Market Indicators.

  • Sales Rank: #10086 in Books
  • Published on: 2014-01-06
  • Released on: 2014-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.38" h x .73" w x 5.50" l, .81 pounds
  • Binding: Paperback
  • 320 pages

About the Author
Michael Sincere is a full-time columnist, writer, and author of numerous books, including Understanding Stocks and All About Market Indicators.

Most helpful customer reviews

175 of 186 people found the following review helpful.
Your launching pad into the world of stock options
By Deron Baker
I was in the middle of writing my own book on retirement investing, which I have now finished. During that process I read many different books to get a well-around education on the subject. One area that always fascinated me - but seemed overwhelming - was the arena of stock options. I read the Futures and Options for Dummies book, only to then become more confused. I kinda gave up on the subject until I stumbled upon Michael Sincere's book in the store.

Don't let the size of the book fool you. The author packs quite a lot of information into these 221 pages. He explains the world of stock options in a very easy-to-understand format. Michael debunks many myths about options and shows you that while some types of options are highly risky, some are not.

This book is the launching pad to get you started in the world of stock options. You will eventually need to read more if you wish to purchase or sell options, but this book becomes your foundation. The nice thing about this book is that you will quickly learn whether or not options are right for you. Personally, I do not want to participate in options. However, I was able to make an informed decision based on the knowledge found in this book. I am still glad I read the book and highly recommend it to anyone who is curious about stock options.

123 of 131 people found the following review helpful.
Great style, poor contents
By Paulo C. Rios Jr.
Most people who are familiar with stocks and have never traded options before tend to treat options like stocks. The main strategies exposed by this book are the naked purchasing and selling of options with no spread, which are the very ones that a beginner will try to use (since they seem similar to stock trading) but should not. The only exception, the covered call strategy, has a low risk but also a very low return too and doesn't protect the investor against a major contrary market movement.

One can't deny that the author's intentions seem to be the best possible. He has a friendly manner and tries to motivate the reader all the time. The writing is very pleasant. But, unfortunately, style and intentions are not substitute for a poor treatment of a subject matter.

Armed with the information from this book, the beginner will hopefully find that some key knowledge is missing. For example, the author's explanation on how to adjust a naked call that didn't go well pales in comparison with the outstanding treatment and alternatives presented by McMillan in "Options as a Strategic Investment" on the chapter on the naked purchasing of calls.

For a much better treatment and introduction than this book, try "Get Rich with Options" by Lowell. Its title could be improved, but its contents are just superb. Any comparison with this book under review is simply unfair.

As Einstein once said, "make it simple but not too simple."

66 of 69 people found the following review helpful.
For every level investor
By Borealis
I read Sincere's first edition of this book years ago - and never bothered much with options, Certainly not the more advanced strategies. As I readdressed options recently, it became clear that this new edition was mandatory. Things change in the investment world - especially electronic trades - very rapidly.

Sincere's style of writing is clear, concise and very easy to read and follow. Terminology is explained in simple terms - he does a good job of assuring the reader that one will not get boggled in technical terms. As he says ... one doesn't need to understand a combustable engine to drive a car.

Sincere develops the chapters very well, progressing from topic to topic in an understandable and fluid manner.

As he suggests, one must be familiar with stocks, the market, and trading in general, before reading this book. There are many stock market and investment books available as primers, including one by the same author. Read and know investing before you start this book.

Understanding Options is a primer for the beginning option investor, as refresher for the more experienced, and covers very technical and advanced strategies for the seasoned investor.

My first edition - being in book form - is highlighted and dog eared. This edition I bought electronic - easy to read and many links are included which make it nicer to move within the volume to various topics. Of course it can still be 'page marked' and sections saved and highlighted for rereads.

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Minggu, 24 Januari 2010

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Japanese Cooking: A Simple Art, by Shizuo Tsuji

When it was first published, Japanese Cooking: A Simple Art changed the way the culinary world viewed Japanese cooking, moving it from obscure ethnic food to haute cuisine.

Twenty-five years later, much has changed. Japanese food is a favorite of diners around the world. Not only is sushi as much a part of the Western culinary scene as burgers, bagels, and burritos, but some Japanese chefs have become household names. Japanese flavors, ingredients, and textures have been fused into dishes from a wide variety of other cuisines. What hasn't changed over the years, however, are the foundations of Japanese cooking. When he originally wrote Japanese Cooking: A Simple Art, Shizuo Tsuji, a scholar who trained under famous European chefs, was so careful and precise in his descriptions of the cuisine and its vital philosophies, and so thoughtful in his choice of dishes and recipes, that his words--and the dishes they help produce--are as fresh today as when they were first written.

The 25th Anniversary edition celebrates Tsuji's classic work. Building on M.F.K.Fisher's eloquent introduction, the volume now includes a thought-provoking new Foreword by Gourmet Editor-in-Chief Ruth Reichl and a new preface by the author's son and Tsuji Culinary Institute Director Yoshiki Tsuji. Beautifully illustrated with eight pages of new color photos and over 500 drawings, and containing 230 traditional recipes as well as detailed explanations of ingredients, kitchen utensils, techniques and cultural aspects of Japanese cuisine, this edition continues the Tsuji legacy of bringing the Japanese kitchen within the reach of Western cooks.

  • Sales Rank: #94857 in Books
  • Brand: Tsuji, Shizuo/ Fisher, M. F. K. (INT)/ Reichl, Ruth (FRW)/ Tsuji, Yoshiki (INT)
  • Published on: 2012-02-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.60" h x 1.70" w x 10.20" l, 3.20 pounds
  • Binding: Hardcover
  • 508 pages

From Publishers Weekly
Easily the most comprehensive and exhaustive look at Japanese cuisine available, this groundbreaking classic marks its quarter-century anniversary in a revised edition with a new foreword by Gourmet editor-in-chief Ruth Reichl and a new preface by the late Tsuji's son, Yoshiki Tsuji. Part cookbook, part philosophical treatise, this highly acclaimed collection offers a wealth of insight for amateurs and experts alike. Every technique associated with Japanese food is described step by step in great detail, along with illustrations to guide the reader through everything from filleting fish or cleaning an octopus to rolling omelets. Sections on the Japanese meal, ingredients and selecting and cutting fish, chicken and vegetables offer great insight into the culture as well as the food. The recipe section of the book is divided by cooking method rather than food type, including grilled and pan-fried, steamed, simmered and deep-fried. Dishes range from the simple, Pan-Broiled Salmon, to the more complex, Nagasaki-Style Braised Pork, and many dishes are vegetarian. Sushi and sashimi are covered in depth, as are knives, the proper way to slice the fish, and decorative presentations. A complete guide to Japanese cooking, this collection is must-have for anyone interested in Japanese food or culture. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

. . .quite the most illuminating text around on Japanese food. . . Nigella Lawson


. . .this is much more than a cookbook. It is a philosophical treatise about the simple art of Japanese cooking. Appreciate the lessons of this book, and you will understand that while sushi and sashimi were becoming part of American culture, we were absorbing much larger lessons from the Japanese. We were learning to think about food in an entirely new way. from the new Foreword by Ruth Reichl


If Kurosawa had ignited my love for the country, Mr. Tsuji deepened and defined it. Jonathan Hayes in The New York Times


A complete guide to Japanese cooking, this collection is a must-have for anyone interested in Japanese food or culture. Publishers Weekly


My go-to for reference and classic recipes. Debra Samuels, The Boston Globe


A core addition to any and all personal, professional, or community library multicultural cookbook collections. Midwest Book Review


Still the foremost source book of cooking concepts and recipes from Japan. GlobalGourmet.com


About the Author

SHIZUO TSUJI (1935-1993) was the former head of the prestigious Tsuji Culinary Institute in Osaka, the largest school training professional chefs in Japan. The author of over 30 books on gastronomy, travel and music, he was a leading figure in the international culinary community. Japanese Cooking: A Simple Art was instrumental in popularizing Japanese cuisine in the West. Tsuji was also the author of Kodansha's bestselling Practical Japanese Cooking.

Most helpful customer reviews

50 of 50 people found the following review helpful.
Requires a little investment of time
By jannielane
Japanese Cooking: A Simple Art can be intimidating unless one invests a little time in reading the introductory chapters. Recipes are arranged around cooking techniques, not ingredients. There are no chapters for "meat," "poultry" and "vegetables," but instead the recipes are organized by grilled foods, fried foods, steamed foods, sashimi, sushi, etc. In addition, it is helpful to have a basic knowledge of Japanese ingredients and Western substititions, so recipes that call for burdock root, for example, do not have to be rejected if one has a carrot to substitute. Japanese meals can be complex and contain many small dishes, or can consist of a casserole served with rice and pickles. All of these items are in Japanese Cooking: A Simple Art. Start small with a single dish, and move up to a full meal.

I'm not likely to cook a casserole that involves a whole fish head (not easy to come by in Colorado), but I make "Potato Tumble" quite often in the winter, and it is a simple comforting dish, alone worth the price of the book. The term "art" in the title tends to make the book sound demanding, but it is, in reality, full of straightforward recipes that celebrate good quality ingredients, as it the goal of modern cooking.

UPDATE: Almost two years later, and this is still my favorite Japanese cookbook, despite the fact that I keep buying other cookbooks hoping to find a rival (for what reason, I do not know). I've read this book cover to cover several times and find it entertaining and relaxing every time. I am lucky because there is a wonderful Japanese market three blocks away from my office, but I also find that I can cook many of the recipes with ingredients from my local supermarket, as long as I have the basics of soy sauce, dashi, mirin and the proper rice in my pantry.

I have several lavishly illustrated Japanese cookbooks that intimidate me because my dishes are not as dazzingly beautiful as the photographs. Since Japanese Cooking: A Simple Art is minimally illustrated, I find it less intimidating, because I don't have a pre-conceived vision of how a dish should look. I'm sure that Japanese housewives strive to create attractive meals for their families, but my guess is that on a daily basis, beauty is secondary to getting a meal on the table, just as it is in the United States.

2012 update: My original hardbound copy has split apart, so I am ordering the new edition and will be most interested to compare it to the old version.

32 of 33 people found the following review helpful.
Not just a Japanese cook book-- this is **THE** book on Japanese cooking
By BBP
I won't call Shizuo Tsuji's masterpiece a cookbook. Instead, I call it a "book on cooking". The distinction is esoteric perhaps, but important. If you think of cookbooks as paint-by-numbers manuals that merely show you the mechanics of recipe preparation with little in the way of actual food education, then by all standards, "Japanese Cooking: A Simple Art" is not a cookbook. It is a book on cooking, specifically, Japanese cooking. And not just any book on Japanese cooking. It is THE book on Japanese cooking, widely recognized and lauded as one of the best of its kind. It is a rare gem.

As a testament to the instantly recognizable caliber of this text, I offer this anecdote: I discovered it several years ago while I was living in Japan. It belonged to an American ex-pat, a foodie who spent part of his time there apprenticing in a soba shop in Akita, so he really knew his stuff. With just a casual flip through the pages (being a foodie myself), I immediately saw the value of the book and made a mental note to buy it when I came back to the US. I had forgotten about it until now, but now that I have it, I am very happy with the purchase.

True to Tsuji's pedagogical background as a culinary school founder, this book doesn't just teach recipe mechanics. It seeks to train you in the art and techniques of Japanese food preparation, with a healthy dose of etiquette, culture, philosophy, and history thrown into the mix. It is certainly ambitious in scope and perhaps not for the uninitiated.

I would say a moderate/advanced beginner level of familiarity with Japanese cuisine (or general Asian ingredients, at least) and comfort level around the kitchen is a prerequisite. Failing that, a willingness to learn and make a lot of failures. Most Americans will never have heard of many of these ingredients, and some are indeed hard to find, or impossible outside of major metropolitan areas or communities with a large Asian population. But here's an important tip: You'll find many of the most important base ingredients in Korean or Chinese supermarkets, should you live near any. Stuff like miso paste, udon, wakame, mirin, short grained rice, and seasonings are commonly sold there. Many of the vegetables used in Japanese cooking are also found there, dry or fresh. Here in NYC, I can find 95% or more of the ingredients in Chinese stores. You can buy shiso seeds on Amazon to grow yourself should you be so adventurous!

If you want a book with lots of step by step photos and glossy color blowups of finished recipes (aka, "food porn"), this is not for you. Aside from 17 pages of photos and fish illustrations at the front, the entire presentation is devoid of photography, deferring instead to line drawings. This is a good choice, as the drawings are crisp and exhibit line economy and clarity, something that is often difficult to achieve with photography. They also add a touch of class to the book.

Similarly, if you are looking for quick-fix recipes that sacrifice authenticity for ease of preparation in the American home, dishes requiring little effort and no prior cooking experience, or foods limited to ingredient available in the average American supermarket, this book is also not for you. There are plenty of other books that will fit the bill. "Good enough to pass" isn't good enough here, and Tusji makes no compromises. Some of the dishes detailed are quite laborious or difficult for beginners. For example, he teaches you how to cut whole fish for sashimi.

For true lovers of Japanese food (not just people who go to a sushi restaurant, order the "sushi deluxe" and call themselves aficionados), you owe it to yourself to order this book. What you'll get is an exhaustive overview of the diversity of Japanese food, the majority of stuff which you'll never see in Japanese restaurants in the US, however authentic they claim to be. Don't expect instant results, but instead, be patient and enjoy the journey into food education (a Zen-like approach that is not out of line with the spirit of the book). Japanese sushi chefs supposedly spend years learning how to form the rice ball before they are even allowed near the fish.

Enjoying the freshness of food and appreciating nature's seasons and its broad spectrum of flavors is the essence of Japanese gastronomy and culinary art. Enjoy the book and happy cooking!

29 of 30 people found the following review helpful.
Indispensable
By Antonio P. Manahan
This is an indispensable book to any cook's library. The original edition was written in an era of mystery. Japanese food was not known to many. In this light (or darkness) the author painstakingly explains the nuances of japanese cuisine. No other author takes such an effort.

We live an era of globalized cuisine where sushi is served at cafeterias, oriental ingredients are available everywhere, and almost every species of fish is available regardless of origin. Despite our growing familiarity with the cuisine most of us are still ignorant about what makes a meal japanese. This book has served as an introduction to cooking japanese food to most serious cooks. It is unfettered by all of the attempts at fusion japanese (cream cheese and salmon sushi, spam musubi etc.) and is strictly focused on classical cuisine. Most new cookbooks about japanese cuisine stray from the classical cuisine and lack authenticity. Japanese Cooking: A Simple Art belongs beside Julia Child's Mastering the Art of French Cooking, Jacques Pepin's La Technique, and Richard Olney's the Good Cook series. The only other way I know of learning the proper way of cooking japanese food is to work for a great japaese chef.

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Kamis, 21 Januari 2010

[Q632.Ebook] Ebook Download Medical Physiology: Principles for Clinical Medicine (MEDICAL PHYSIOLOGY (RHOADES)), by Rodney A. Rhoades PhD, David R. Bell PhD

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Medical Physiology: Principles for Clinical Medicine (MEDICAL PHYSIOLOGY (RHOADES)), by Rodney A. Rhoades PhD, David R. Bell PhD

Medical Physiology presents the physiological concepts essential to clinical medicine. Each chapter provides conceptual diagrams to facilitate comprehension of difficult concepts, and presents both normal and abnormal clinical conditions to illustrate how physiology serves as an important basis for diagnosis and treatment. Hallmark pedagogical features emphasize problem-solving skills and promote review and retention: Clinical Focus and From Bench to Bedside boxes, a comprehensive glossary, and online USMLE-style review questions with answers and explanations. Companion web site offers additional resources for students (question bank, animations, searchable text) and faculty (image and test banks, PowerPoint slides for use in class).

  • Sales Rank: #90782 in Books
  • Published on: 2012-02-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.00" w x 1.25" l, 4.35 pounds
  • Binding: Paperback
  • 851 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great buy
By Talisa Swanson
Initially bought this book for PT school. It's quite substantial. Most definitely one of the books I do not plan to sell after I am done with the program. Would recommend.

5 of 5 people found the following review helpful.
kindle book: where is the access code?
By amazon buyer19
Just bought the kindle version of this textbook. Rating the kindle user experience:
I read chapter 6 via kindle, came to the end and wanted to access the additional online content. It turns out there is no access code supplied with the kindle version! You have to have an access code to be able to Use 'The Point', Lippincott's online resource center, where you can access Q/A, animations etc.etc. for the book. If you buy the printed book, or the e-book purchased from Lippincott directly, you automatically receive an access code. NOT with the kindle version. I searched amazon and Lipincott and could not find a way to receive an access code. The amazon description clearly states that additional online resources are made available to the purchaser. Rating low because of this discrepancy, I bought the book for complete access and find buyers should be told if kindle version offers less than the other versions. If I can resolve this, will re-rate.

This is from the online description for the e-booK: Online Case Studies for each chapter include questions and answers and reinforce how an understanding of physiology is important in dealing with clinical conditions.
--Student Resources include: online searchable text, 250 USMLE questions, 76+ case studies, and animations.
Now if one could only get to the online resources....
Update: 2 e-mails To tech support: they said to e-mail kindle receipt and they will generate an access code but I already returned the kindle book,(did not want to jump through more hoops) so cannot say if this would have worked.

7 of 8 people found the following review helpful.
Poorly Written
By medmur
In grad school I took physiology and used Guyton and Hall text. Now in Med school this Rhoades book was the assigned text. There simply is no comparison. I learned so much from Guyton. Rhoades has only confused me on things I previously understood. The writing is vague and far too brief. Each paragraph jumps around within a topic and there is no flow from one paragraph to the next. The illustrations are okay, but not enough to compensate for the poorly written text. I sold my copy half way through my course because it was absolutely useless.

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[H376.Ebook] Ebook Free The Essential Rory Gallagher - Volume 2 (Tab), by Rory Gallagher

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The Essential Rory Gallagher - Volume 2 (Tab), by Rory Gallagher

(Guitar Recorded Versions). Twelve songs arranged in guitar tab with full lyrics from this popular blues guitarist. Includes: Barley & Grape Rag * Calling Card * Continental Op * Do You Read Me * I Fall Apart * In Your Town * The Loop * Moonchild * Overnight Bag * Shadow Play * Shinkicker * Who's That Coming.

  • Sales Rank: #1318519 in Books
  • Brand: Brand: Music Sales
  • Published on: 2009-10-01
  • Released on: 2009-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .33" w x 9.00" l, 1.05 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
WARNING - This book has a printing error in that ...
By hugh@jago.to
The song Overnight Bag is listed on the Back Cover. It is NOT included in the contents. It's been replaced by Lonesome Highway. I contacted the publisher and when they realized their mistake they emailed me the score of Overnight Bag.
Took a few Emails but I got there in the end.
I'm now happy that they have a decent complaints department that does listen to the customer. Thanks you Ella.

1 of 1 people found the following review helpful.
Not bad...
By Michael Ogle
Like most tab books there are some mistakes mostly with chord voicings. I use any video i can find to verify most of the tabs i use. But this will certainly get you started, great selection of tunes also.

0 of 1 people found the following review helpful.
Good but don't expect Overnight Bag to be in it.
By JakeLegendXIII
From what I've gotten to so far it really seems to be a pretty good quality book. The notation is easy to follow I like the layout, lyrics are spot on. My only major disappointment is that in the amazon description it lists Overnight Bag as being one of the twelve songs. I purchased this book mainly for Shadow Play and Overnight Bag which happen to be my two favorite Rory Gallagher songs. However, Overnight Bag is not in the book. I am not able to fully learn them by ear so I wanted this product to help me through the more difficult sections. The Shadow Play main solo section seems really well done, so hopefully that makes up for it.

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Sabtu, 09 Januari 2010

[B124.Ebook] Download Freud: A Very Short Introduction, by Anthony Storr

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Freud: A Very Short Introduction, by Anthony Storr

Sigmund Freud, the founder of psychoanalysis, developed a totally new way of looking at human nature. Only now, with the hindsight of the half-century since his death, can we assess his true legacy to current thought. As an experienced psychiatrist himself, Anthony Storr offers a lucid and objective look at Freud's major theories, evaluating whether they have stood the test of time, and in the process examines Freud himself in light of his own ideas. An excellent introduction to Freud's work, this book will appeal to all those broadly curious about psychoanalysis, psychology, and sociology.

About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

  • Sales Rank: #279173 in Books
  • Published on: 2001-06-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.20" h x .60" w x 6.80" l, .31 pounds
  • Binding: Paperback
  • 176 pages

Review

"Invaluable to the novice approaching Freud's works for the first time....As an evaluation of Freud's theory, Storr's book is concise and up-to-date....An important addition to any library collection."--Choice


"Storr's brief, elegant, and interesting book coolly surveys what we might term the house of Freud and finds almost everything flawed...yet he does not dispute that the builder of the shaky house was a genius."--D.M. Thomas, The Observer


"A model exercise in synthesis."--The Independent


About the Author

Anthony Storr is Emeritus Fellow of Green College.

From AudioFile
While listening to the ramblings of his rich and neurotic Viennese patients, Sigmund Freud developed theories on how the mind works and falters. His method of psychoanalysis and his proposed terms-Oedipus complex, ego, superego, and id, among others-revolutionized Western thought and psychiatric treatment. Surprisingly, he could never control his body's lethal addiction to tobacco, and the doctor underwent 22 operations for cancer of the palate. British narrator Neville Jason sets a slow pace suited for listeners needing to absorb challenging new terms and ideas. His reading style, which is characterized by theatrical pronunciation and a conversational tone, adds warmth to the otherwise cold rhetoric, elevating this audio-educational experience from dull to pleasant. J.A.H. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Most helpful customer reviews

15 of 15 people found the following review helpful.
I dig Freud!
By Agent Cooper
Yes, it's true that he pretty much reduced everything to sex in some way or other. But if you go beyond that little foible then you see that SF was one of the most brilliant people of the last century, without doubt. There's a section in here on his analysis of jokes and why we tell them that is priceless. And if you are honest with yourself then you will have to admit that he is exactly right on target. This book has definitely spurred my interest in the field and SF himself. I do think that the author glosses over SF's religious views and writings a little too glibly, as though he thinks that SF really didn't believe what he wrote. I actually think that these are some of the most profound of Freud's writings and some that I definitely intend to pursue further. All in all though, this is definitely worth your time and money.

10 of 10 people found the following review helpful.
A fabulous short introduction to Freud's thought
By Robert Moore
This is one of the best (and definitely among the longest) of the books that I have read in the Very Short Introduction series. I have to confess at the outset that I'm not a fan of Freud. Over the years I've dipped into his work from time to time, but each time have found him off putting and many of his ideas counter intuitive. It was helpful for me to realize that many others, including psychologists like Anthony Storr, also find much of what Freud wrote to be either wrong or in need of considerable emendation. I was always sceptical that our dreams (or at least my dreams) had the kind of structure that Freud insisted that they did. And I felt his reasoning about the sexualization of desires of very small children implied a vastly more sophisticated understanding of sex than I possessed as a young child. I have found the object-relations school to be infinitely more persuasive than Freud on child-mother or child-father attachments, and not just because that school actually saw a major role for the mother compared to Freud. I was also hurt in my explorations of Freud by reading what Storr argues are his worst books, things like MOSES AND MONOTHEISM, which I frankly found absurd, or his book on jokes.

So, my impression over the years was that Freud was borderline silly. I credited him with causing us to take more seriously child development and to acknowledge the centrality of sexuality in our lives, but I found the general contours of his thought to be quite unhelpful in understanding my own life. I must admit that I was also put off Freud by a host of writers who misused psychology in exploring everyday life. I once was talking to my professor at Yale, Paul L. Holmer, about W. Jackson Bates's great biography of Samuel Johnson. He thought it one of the truly great books on Johnson, but was uneasy with Bates's tendency to attribute Johnson's fundamental beliefs to one or another psychological cause, in particular his religious beliefs. Holmer argued that the biographer was justified in examining why someone might wash his or her hands 30 times a day, but had missed the point in attempting to use Freud to explain why someone believed in God.

So, while I understood just how large Freud loomed in our culture, I never found him to be that impressive as a thinker. I still don't. However, Storr did manage to make a case for Freud on many levels while at the same time fairly and soberly pointing out his legitimate achievements alongside his unfortunate failures. He clearly admires Freud while still not hesitating to acknowledge where he went off track. He also does an exceptionally fine job of making clear Freud's main ideas. I came away from the book with a clearer and fuller picture of Freud than ever.

I'm now at the point where I actually want to read more by and about Freud. I have long owned a copy of Peter Gay's celebrated biography as well as his large selection of Freud's writings published by Norton. After reading Storr I'm far more likely to do so. But Storr also provides an absolutely splendid annotated list of suggestions for further reading. One of the best aspects of the Very Short Introductions series are the bibliographies and this may well be the best one that I've seen yet. If I do go on to read more about Freud, Storr's Further Reading will certainly guide me.

18 of 21 people found the following review helpful.
Laura:...
By A Customer
This book is a very good general view of freud's ideas, theories, and views. I would recommend it if you are just stating out. It has clear language too. However it is not terribly indepth so be forewarned that it may not meet all needs. It is a good general resource though.

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Senin, 04 Januari 2010

[L979.Ebook] Free Ebook Organizational Transformation: Approaches, Strategies, and Theories, by Amir Levy

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Organizational Transformation: Approaches, Strategies, and Theories, by Amir Levy

Organizational Transformation is the first book to analyze how organizations make it through difficult periods. Based on case studies drawn from a variety of industries, such as mental hospitals, schools, manufacturing companies, and the American Wildlife Society, this book offers practical advice on development strategies for managers and organization consultants. The book is divided into four sections, the first of which describes in detail the different approaches that have been developed to transform organizations. The second section describes and compares some of the basic strategies used in transforming organizations. The third provides the reader with a variety of theories and research on the topic, and the final section conceptualizes and integrates these theories.

  • Sales Rank: #3305736 in Books
  • Brand: Brand: Praeger
  • Published on: 1986-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .81" w x 5.98" l, 1.43 pounds
  • Binding: Hardcover
  • 347 pages
Features
  • Used Book in Good Condition

About the Author

AMIR LEVY is Professor at the Graduate School of Education at the University of California.

URI MERRY is a Professor at the Graduate School of Education at the University of California.

Most helpful customer reviews

2 of 3 people found the following review helpful.
Paradigms for a futuristic "excellent" organization
By A Customer
The book provides an excellence descriptions of many approaches to organizational improvements by other theorists.
The book offers a futuristic view of organizational excellence and the means and strategies to achieve this excellence. The book is well-organized, from theory to strategies to the "how-to". It has a good mix of being academic and being practical.
There are many cases cited in the book and these cases are well placed such that readers are not bored with the theoretical portions.
My favorite line of the book is in Chapter 3, where the authors summarized the state of excellence being one that shouldn't "do more of the same and better", but one that will do things "in a completely different way and from a different perspective". There have been so many cases that organizations merely use the model of doing "more with less" or being more efficient and effective, as a motivation for organizational improvements. The book offers a fresh look at the basis of organizational improvements.

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Sabtu, 02 Januari 2010

[T970.Ebook] Free Ebook Will Grayson, Will Grayson, by John Green, David Levithan

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Will Grayson, Will Grayson, by John Green, David Levithan

One cold night, in a most unlikely corner of Chicago, Will Grayson crosses paths with . . . Will Grayson. Two teens with the same name, running in two very different circles, suddenly find their lives going in new and unexpected directions, and culminating in epic turns-of-heart and the most fabulous musical ever to grace the high school stage. Told in alternating voices from two YA superstars, this collaborative novel features a double helping of the heart and humor that have won them both legions of fans.

  • Sales Rank: #9066 in Books
  • Brand: Dutton Juvenile
  • Published on: 2011-04-05
  • Released on: 2011-04-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.19" h x .94" w x 5.50" l, .65 pounds
  • Binding: Paperback
  • 310 pages

Amazon.com Review
Amazon Best Books of the Month, April 2010: What's in a name? A pretty fantastic book idea, for starters. At heart, Will Grayson, Will Grayson is about a couple of kids figuring out how to be themselves. Two of those kids happen to have the same name, and not much in common outside of that, but their serendipitous friendship sets the stage for a much larger, braver, and more candid story than the simplicity of the plot might suggest. The relevance for teens here is clear--high school is the only time in your life when you have the undivided opportunity to obsess over your every move, sentence, and outfit change--but the part about understanding who you are doesn't stop when you graduate. That's what makes Will Grayson, Will Grayson as interesting a pick for adults as it is for teens: the questions don't get simpler, but looking at them through the eyes of a 16-year-old brings a welcome sense of honesty and humor to this thing called life. No one's ever too old to enjoy that. --Anne Bartholomew

Amazon Exclusive: David Levithan and John Green Talk About Names

Will Grayson, Will Grayson is about two teenage boys with the same name, whose lives intersect in unexpected ways. The book originated with the thought of giving two different boys the same name, and to give that name some meaning. It also comes from David's own experience. So to give you an inside peek at the making of the book, we figured it would be fun to give you insight into our own names, as well as Will Grayson’s.

David Levithan

To my knowledge, there are only two other David Levithans in the world – my dad’s cousin, and a lawyer in South Africa who, as far as we can tell, isn’t family. The last name Levithan is actually the invention of an immigration official – when my great-grandfather came to America from Russia, it should have translated to Levitan. But somehow the h got in there. Now, whenever I meet another Levithan (which is rare), odds are good that he or she is related to me.

That said, the story of Will Grayson, Will Grayson came from someone whose name is close to mine, but not identical. David Leventhal went to Brown at the same time I did, and people would confuse us often.

This ended up being something of a joke, because David was an extraordinary dancer, while I was…not an extraordinary dancer. So people would exclaim, “We had no idea someone as clumsy as you could be so graceful on stage!” and I’d have to say, “Well, un, that wasn’t me.” Finally, right before graduation, I contacted David and we met up. We became instant friends, and when we both moved to New York after college, we were always in each other’s company. The similarity of our names often threw people for a loop… and I thought, well, that might make an interesting story.

Amusingly, David Leventhal’s college roommate’s name was . . . Jon Green.

John Green

I was named after my great-grandfather, John Michael Crosby, an itinerant minor-league baseball manager and occasional catcher. I like my name, but being a John Green can certainly be inconvenient, because there are a lot of us. Among many others, there is John Green the realtor in Mississippi (who owns johngreen.com, much to my chagrin), John Green the Australian botanist, and of course John Green the world-renowned Bigfoot scholar. This last John Green, who is so revered in the field of Bigfoot research that he is often called “one of the four horseman of Sasquatchery,” is kind of my mortal enemy. I once wrote a magazine article in which I passingly noted that Bigfoot is, you know, fictional, and John Green replied with a letter arguing that my anti-Bigfoot stance was besmirching the good name of John Greens everywhere.

Such is the curse of being a John Green. Or a Will Grayson, for that matter.

Will

We decided that I (David) would choose our character’s first name, and John would choose his last name. I liked the name Will because of its different, sometimes contradictory, meanings. As a noun, it can be so strong – where there’s a will, there’s a way, and whatnot. But as a verb, it’s split. Sometimes it’s just as definite (It will be done!), but that definiteness is underscored by an uncertainty – you say it will be done, but it hadn’t been done yet, has it? And put it at the start of a question (“Will you still love me tomorrow?”) and it becomes the entrance for all kinds of vulnerability. That seemed right for the characters.

Grayson

I liked Grayson because whenever I would hear that name, it always sounded to me like “grace in,” which always struck me as a richly ambiguous phrase – is “grace in” the beginning of a clause or the end of it? Are we being asked to find grace in something, or to let grace in? Those questions seemed like interesting ones for the guy I wanted to write about.

From School Library Journal
Gr 9 Up–Told in alternating chapters, with alternating narrators, John Green and David Levithan's brilliant story is beautifully rendered in audiobook format. When Will Grayson, an awkward teen who is unsure of how to connect with others without getting hurt, and will grayson, an angry, gay teen, both living in the suburbs of Chicago, meet by chance, their lives are forever changed…and connected. Will Grayson's gay best friend, Tiny Cooper, suddenly becomes will grayson's new boyfriend. The relationship doesn't last, though, and the aftereffects almost shatter Will and Tiny's friendship. Delving deep into the relationships in each teen's life, the authors address friendship, self-identity and acceptance, true love, family, and prejudice in a novel sure to touch the hearts of listeners. MacLeod Andrews and Nick Podehl give wholly believable and heart-rending performances. The narrators also provide wonderful singing performances when snippets from Tiny's musical, “Tiny Dancer,” appear in the text. This title contains some strong language and adult themes, but is an excellent addition to high school collections.Jessica Miller, New Britain Public Library, CT
© Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
*Starred Review* Two superstar authors pair up and really deliver the goods, dishing up a terrific high-energy tale of teen love, lust, intrigue, anger, pain, and friendship threaded with generous measures of comedy and savvy counsel. Though the ensemble cast revolves around Tiny Cooper, “the world’s largest person who is really, really gay, and also the world’s gayest person who is really, really large,” the central characters are the two titular narrators, who share a name (but don’t meet until partway through) and trade off alternate chapters. One Will has been Tiny’s satellite for years but is starting to chafe at the role—especially after Tiny forcibly sets him up with Jane, an infuriatingly perfect match. The other, whose clinical depression is brilliantly signaled by an all-lowercase narrative and so intensely conveyed that his early entries are hard to read, sees at least a glimmer of light fall on his self-image after a chance meeting with Tiny sparks a wild mutual infatuation. The performance of an autobiographical high-school musical that Tiny writes, directs, and stars in makes a rousing and suitably theatrical finale for a tale populated with young people engaged in figuring out what’s important and shot through with strong feelings, smart-mouthed dialogue, and uncommon insight. Grades 9-12. --John Peters

Most helpful customer reviews

94 of 100 people found the following review helpful.
Powerhouse of Awesome
By amandapsychedelia
I've been waiting for this book to come out since it was announced. Some background on my reading history: I love all of John Green's books and I love what I've read of David Levithan. So, naturally, I had high hopes for this awesome collision of genius.

Will Grayson, Will Grayson is the story of two guys named Will Grayson: they are not related, they have close to nothing in common, and neither, in fact, knows that the other one exists. That is, until their volatile meeting in the middle of this book. In a porn store. In life-crumbling circumstances.

As usual with these two authors, the characters are realistically crafted and easy to relate to. There were times throughout the story that I felt myself nodding in sympathy or feeling vindictive hatred for the unfortunately dead-on portrayal of selfishness and angst that's common in most high school teenagers. What I love about these characters is that they are decidedly fluid individuals who learn life lessons and cry and hope and dissect situations to ridiculous extremes and hold grudges and appreciate love and friendship. This is the kind of book that reminds you what a coming of age tale is supposed to be.

My favorite character was Tiny Cooper. If I had to choose my favorite Will Grayson, I would choose Tiny Cooper. He was just that awesome. Tiny is the very large, very gay, and very fabulous best friend of John Green's Will Grayson. He has received funding from the student council in order to put on a musical he wrote himself called Tiny Dancer--which is, of course, all about Tiny Cooper. He is the show stealer of the book.

On the opposite end of the character spectrum, I never felt much of a connection with Jane, the love interest of John Green's Will Grayson. This is probably because I've come to expect much of John Green's girls. I was infatuated with Alaska Young and Margo was a fantastic multi-dimensional character. I had the same sort of problem with Jane as I did with the heroine of An Abundance of Katherines--I just never fell in love with her.

As for Levithan, I'm still pondering why he chose to write his portion using no capitals. I like to think that it's because his Will Grayson is just too apathetic to care about using a shift key. Authors trying to be innovative with the stylizing their narrative is usually a hit or miss for me. In Levithan's case, the innovation wasn't so over the top that it became pretentious, which--and I'm not naming any names--tends to happen.

For what's it worth, I have absolutely no regrets for paying the twenty dollar price for this book. John Green and David Levithan are a witty powerhouse of a team and I hope that they decide to do more work together in the future. I recommend Will Grayson, Will Grayson to all fans of humorous, romantic, intelligent coming of age tales.

10 of 10 people found the following review helpful.
Funny and Dark, Funny and Thoughtful
By Middle-aged Professor
My 15-year old son and I both enjoyed this double threaded teen self-realization story. The contrivance of two different Will Graysons is a mere decorative topping to two stories of teenage boys coming to terms with themselves, while both rotating around an outsized (personally and physically) friend named Tiny. One Will battles depression and comes to terms with his sexuality, the other Will his timidity and fear of feeling. Their alternating narration and narrative styles keep the story fresh, if not surprising, and their humor allows rich development of some serious themes. The book lost steam towards the end---the climax is not very climactic---but was intelligent and entertaining throughout. Both Tiny and one of the Wills are gay, and their sexuality is certainly very prominent in the book. And, while by no means does it make their life easy, I was struck by the ease with which the theme fit into the rest of the story. This is not the way such a story would have been told twenty years ago, or even ten, and, when I was a teenager 30+ years ago, I doubt it would have even been published. Very, very cool to see it now as just an important, integrated theme in the book. That was the highlight that will stay with me.

34 of 44 people found the following review helpful.
Once more, with feeling!
By The Compulsive Reader
Will Grayson has been Tiny Cooper's best friend since elementary school. Tiny is, according to Will, "the world's largest person who is really, really gay" and constantly falling in and out of love--and dragging Will with him everywhere. When his latest attempt to hook Will up with a girl fails, Will meets Will Grayson, another teen who is depressed and discouraged. Both Wills make an effort not to feel too much in life, but are changed after meeting, and continue to change as Tiny puts on his extravagant and fabulous autobiographical musical, "Tiny Dancer", culminating in an unforgettable and powerful night.

John Green and David Levithan have created a very unique, surprising, and downright hilarious novel. The book is told in alternating chapters, and it's very easy to distinguish which point of view each author is writing from. Their characters are so different, but at the same time the book is very cohesive and engaging. Green's Will is a lot like some of his previous characters: funny, self-deprecating, and a bit nerdy and self conscious, but he is a terrific friend and an honest person. Levithan's Will is a bit darker. He is lonely and depressed, and it's evident throughout most of the book that he is hurting and doesn't know how to be himself, or even be happy. Each Will possesses his own authentic voice, and the chapters flow seamless together, playing off each other well with Tiny as a good (albeit a little self-centered) central character.

The plot is complex, and the change in each Will may be gradual as each one sorts out their own myriad of problems and issues, but the journey is funny, rough, and best of all, smart (for example, Schrondinger's cat is used as an extended metaphor throughout much of the book). Will Grayson, Will Grayson is brilliant and intelligent read about love, appreciation, and feeling with an unflinching and bold style that many teens will appreciate.

Cover Comments: I really like this cover! It is very fitting that since there is a musical in the book there is a spotlight on the cover, and the perspective is different. The font is also pretty cool--I like how some of the letters of the title run into each other. This is just a really excellent cover!

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