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When looking for a book on fish toxicology, you might find one that discusses the biochemical and molecular aspects, or one that focuses aquatic toxicology in general. You can find resources that cover human and animal toxicology or ecotoxicology in general, but no up-to-date, comprehensive monograph devoted to the effects of chemical pollution on these organisms has been widely available, until now. Filling this void, The Toxicology of Fishes, written by recognized experts, covers toxic responses ranging from reduced reproduction and/or abnormal development, growth, and differentiation.

General Principles ― Discusses fundamental topics such as the bioavailability of chemicals present in the aquatic environment to fishes, processes governing chemical distribution within these organisms, how fish metabolize organic chemicals, and fundamental mechanisms of chemical toxicity

Key Target Systems and Organismal Effects ― Describes key target organ systems for chemical impacts in fish, how chemicals produce cancer in these animals, and how fishes can develop resistance to chemical toxicity

Methodologies and Applications ― Dovers methods for the assessment of chemical effects on fish such as toxicity tests, biomarkers, simulated ecosystems, and modeling approaches and the use of data from such studies in ecological risk assessments

Case Studies ― Provides examples of how the principles and approaches presented in earlier units are actually deployed in studies

Illustrated by case studies of actual, large-scale field investigations, the book reviews the tools used to assess unwanted effects in laboratory model- and wild fish in detail. With 238 illustrations, 70 tables, and 50 equations, this comprehensive monograph presents detailed information on the boiavailability of chemical pollutants, their distribution, metabolism, and excretion in the host fish and mechanisms and sites of toxic responses.

• Sales Rank: #3037059 in Books
• Published on: 2008-02-25
• Original language: English
• Number of items: 1
• Dimensions: 9.90" h x 2.14" w x 7.28" l, 4.55 pounds
• Binding: Hardcover
• 1096 pages

Most helpful customer reviews

0 of 1 people found the following review helpful.
Informative
By Amani
Got this book for my brother whos doing his PhD in fish toxicology, He seems happy with it.

0 of 0 people found the following review helpful.
Superb!!!
By PDN
This text is very much needed and a real contribution to the field. The metabolism and biotransformation discussions are top notch. Only book of its kind out there at the moment that really looks at pollutant effects in fish beyond simple toxicity measurements (e.g., death). I also thought the receptor-mediated and oxidative stress text was excellent and well written. The endocrine disruption text is a little disappointing and a rehash of what is written more thoroughly in other texts. But, still overall a great reference. The authors that have written each section are really the tops in their field, as are the editors. It is a dense read and requires some basic understanding of biology and chemistry. Very appropriate for a grad student or scientist.

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A Complete Study System for OCM Exams 1Z0-807, 1Z0-865, and 1Z0-866

Prepare for the Oracle Certified Master Java EE 6 Enterprise Architect exams with this exclusive Oracle Press guide. The multiple-choice exam, the assignment, and the essay exam are covered. Chapters feature challenging exercises, a certification summary, a two-minute drill, and a self-test to reinforce the topics presented. This authoritative resource helps you pass these exams and also serves as an essential, on-the-job reference. Get complete coverage of all exam objectives, including:

• Application design concepts and principles
• Common architectures
• Integration and messaging
• Business-tier technologies
• Web-tier technologies
• Design patterns
• Security

Electronic content includes:

• 120 multiple-choice practice exam questions
• Test engine that provides practice exams and customized quizzes by chapter
• PDF copy of the book

• Sales Rank: #244350 in Books
• Published on: 2014-08-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.10" w x 7.40" l, .84 pounds
• Binding: Paperback
• 672 pages

About the Author

Paul R. Allen (New York, NY) is a principal of UCNY, Inc., an international consulting firm that helps Fortune 500 companies improve operations through the use of web, database, and object technology.

Joseph J. Bambara (New York, NY) is a principal of UCNY, Inc. He has been developing application systems for more than 30 years and is also an attorney specializing in intellectual property.

Most helpful customer reviews

8 of 8 people found the following review helpful.
5 stars for book, 2 stars for CD (windows only)
By Jeanne Boyarsky
I want to give the “OCM Java EE 6 Enterprise Architect Exam Guide” book 5 stars and the CD with the practice exam 2 stars. I'll compromise and give the whole entity 4 stars. What's wrong with the CD you ask? It requires Windows. When I installed it on my Windows virtual machine, I got an error that it could not register the font Lucidia-Sans Regular TrueType. Verify that you have sufficient permissions to install fonts and that the system supports this font.” The software worked fine without the font, so I could have done with the error. Also, the hint button in practice mode (titled “assistance”) looked like a title and it took me a few minutes of searching to find it.

Ok, now that I've gotten that out of the way, let's go on to the actual book. All three parts of the exam are covered. I think part 1 is covered the best followed part 3. This makes sense as part 2 of the exam is more “doing.”

As with other McGraw-Hill books, there are some hands on exercises and each chapter ends with a two minute drill along with practice questions. Some of the questions were true/false and not representative of the exam format. They don't tell you how many answers are correct which makes them harder.

I particularly liked the tables. Both to review topics and to map scenarios to patterns and technologies. This is a skill you need for the exam so it was great to have it highlighted. I like that it wasn't an artificial world. The book mentions Eclipse, Spring, Guice and WebSphere. I also liked the phrase “note that these answers are not necessarily what you might encounter in your workplace.” I was surprised to see so much JavaScript code in the book, but it was apparent that isn't on the exam.

When I look the (SCEA 5) exam, I used the Cade/Sheil book. Allen/Bambara's book covers version 6, has much more detail on what you need to know and has way more practice questions. It's actually possible to use it to study instead of just as a brief review.

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Disclosure: I received a copy of this book from the publisher in exchange for writing this review on behalf of CodeRanch.

6 of 6 people found the following review helpful.
but still means the book will useful to working software engineers interested in architecture
By Greg Charles
This book does a decent job describing the architect exam and the principles needed to pass the first part of the exam, with some insights into the second and third. The introduction promises to take a conceptual approach, which isn’t completely realized in the following chapters, but still means the book will useful to working software engineers interested in architecture, even if they don’t take the certification exam.

Anyone who is seriously considering taking this exam will already have exposure to many of the topics covered here: UML, EJBs, messaging, design patterns, security, etc. Each chapter could be a book on its own, so there’s really not room to go into much detail. The book is laid out to parallel the exam objectives, which makes it a good way to discover your weak areas, but also leads to quite a bit of overlap, and in some cases word-for-word duplication from previous sections. “Exam Watch” sidebars do a good job of relating the text to what you might encounter on the exam, but, oddly, they are sparsely used. There should be more a lot more of these. Diagrams and illustrations are also too sparsely used and don’t always synch perfectly with the accompanying text. They feel like something of an afterthought. The text style varies, and while it is often engaging, there are parts that just seem to be laundry lists of features for the technology under discussion.

Overall, this book fulfills its promise of presenting the concepts needed to succeed on the architect exam. Readers will find themselves skimming many of the sections, since they will already be familiar with the material, but it’s a good review, and I found several places where my own knowledge was incomplete, especially on technologies recently introduced.

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Disclosure: I received a copy of this book from the publisher in exchange for writing this review on behalf of CodeRanch.

7 of 8 people found the following review helpful.
A disappointment
By Marcin Sielawa
Although I understand this book is not an official guide to the Java EE architecture, rather an aid in preparing oneself for the exam, I would expect a bit more from a product bearing the Oracle logo. The book consists of bloated, very general descriptions randomly interleaved with technical details. Some sentences are repeated over and over for no apparent reason. The general feeling is more of a draft then a finished product. If you are looking for comprehensive guide to Java EE seek elsewhere.

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OCM Java EE 6 Enterprise Architect Exam Guide (Exams 1Z0-807, 1Z0-865 & 1Z0-866) (Oracle Press), by Paul Allen, Joseph Bambara PDF
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• Published on: 1600
• Binding: Paperback

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With an Introduction by Joan Acocella

The astonishing diaries of the great dancer, at last available in their complete form.

In December 1917, Vaslav Nijinsky, the most famous male dancer in the Western world, moved into a Swiss villa with his wife and three-year-old daughter and began to go mad. This diary, which he kept in four notebooks over six weeks, is the only sustained, on-the-spot written account we have by a major artist of the experience of entering psychosis.

A prodigy from his youth in Russia, Nijinsky came to international fame as a principal dancer in Serge Diaghilev's Ballets Russes. After a falling-out between the two great men--who had lived openly as lovers for some time--Nijinsky struggled to build a career on his own. When psychosis struck, he began to imagine himself as married to God, indeed as God, signing his entries "God Nijinsky." Although he lived another thirty years, he never regained his sanity.

Already a classic in its earlier, bowdlerized edition, the diary now appears uncut for the first time in English, together with its previously unavailable fourth notebook. It is Nijinsky's confession and his prophecy. At the same time, it reads like a novel, portraying the terror in the Nijinsky household as the dancer plunged into madness. In her Introduction, the noted dance writer Joan Acocella explains the context of the diary and its significance in the history of modernism.

• Sales Rank: #702054 in Books
• Published on: 1999-01
• Original language: English
• Number of items: 1
• Dimensions: 1.19" h x 6.35" w x 9.33" l,
• Binding: Hardcover
• 304 pages

Amazon.com Review
Vaslav Nijinsky spent the final six weeks before his permanent consignment to an insane asylum as something a madman in the attic. With his family--wife, young daughters and occasionally, mother-in-law--and household staff downstairs, the legendary dancer retreated to his room in a remote Swiss villa to tangle with his burgeoning psychosis. Fearful that his wife would (as she ultimately did) commit him, and highly suspicious of the physician-cum-amateur psychiatrist who daily came by to examine him, Nijinsky perceived the diary as the only safe haven for the rambling thoughts that were overtaking him. Throughout, the anxiety and anguish are palpable, as Nijinsky writes about his disillusionment with his mentor and lover, Ballets Russes director Serge Diaghilev; his alienation from and distrust of his closest family members; and his fear of insanity and its consequential confinement. His writing becomes more obscure as the weeks progress and he examines his relationship to God, writing "I am God" at one point, and later: "God said to me, 'Go home and tell your wife that you are mad.'" As his schizophrenia evolves, the pace and style of Nijinsky's prose changes radically--toward the end he writes in abstract verse--but he remains, with a dancer's sensibility, attuned to the cadences of his environment. The noises of the household, the ringing of the phone, footsteps down the hall, smatterings of conversations overheard are all registered as a sort of accompaniment to his dance with madness and function perhaps as a final tether to reality.

Nijinsky's wife stumbled upon the diary in a locked trunk some years after her husband disappeared into the abyss of madness and soon released it for publication to feed public interest in her famous mate--but not before she sanitized the manuscript to such a degree (removing references to his homosexuality, overblown ego, bizarre paranoia, and various obsessions with bodily functions and sex acts) that its essence was obscured. Now 80 years after it was written, 20 years after its renegade editor died, and six years after the copyright that Nijinsky's daughters held expired, the unexpurgated version of the diaries faithfully restores the fascinating record of a great artist's struggle for his life.

From Publishers Weekly
One of this century's finest male dancers, Nijinsky might have become known as the greatest ballet choreographer of the modern era had his career not ended so early. Nijinsky danced professionally for only 10 years (1907-1917), and his reputation as a choreographer was established by only three ballets, all choreographed for the Ballets Russes between 1912 and 1913. Scandal surrounded his career: under Sergei Diaghilev, his lover and the impresario behind the Ballets Russes, Nijinsky choreographed The Afternoon of a Faun, which contained movements suggestive of masturbation; the premiere of his Rite of Spring, choreographed to Stravinsky's dissonant score, caused audiences to riot and storm out of the theater. After severing ties with Diaghilev and the Ballets Russes at age 29, Nijinsky slid into insanity, and these diaries chronicle six weeks (January 19-March 4, 1919) of this period. The publication of this new translation (initially published in bowdlerized form in 1936), which for the first time includes a fourth journal of letters and poems, gives readers a chance to read an autobiography of a great artist during his psychological decline. This does not always make for easy reading: Nijinsky's thoughts are circuitous; he records his experience moment by moment and often breaks his train of thought to describe an incident in the next room. Although he is sometimes lucid, he often writes in contradictions and non sequiturs. Fitzlyon's excellent translation, which provides helpful and nonintrusive footnotes to explain Nijinsky's many linguistic idiosyncrasies, is complemented by Acocella's (Mark Morris) illuminating introduction. (Feb.) FYI: Acocella has just been named as the dance critic of the New Yorker.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
This is a thought-provoking look at the life of a man who has been called the "god of the dance." The famous Russian ballet dancer went insane in 1917, and this diary, written in six and a half weeks, records his ever more erratic thoughts, thoughts that at times become almost poetic: "I am an artist whose voice is dance," in conjunction with the more aberrant: "I am God, I am a man, I am man in God." Nijinsky documents his daily routine and carefully notes random thoughts, feelings, suspicions, and occasionally an accurate view of his true reality: "people will think I am insane because I speak of things I do not understand." Actor John Rubinstein's powerful presentation turns this audio into a one-man show, with an amazing job affecting a slight Russian/Polish accent. Nijinsky gave his last public performance when he was 29; he lived to be 61. Highly recommended for all public libraries.ATheresa Connors, Arkansas Tech Univ., Russellville
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very insightful
By Amy Nandory
Very insightful into the human psyche. Vasllav is a remarkable talent with so much sorrow and pain...his dancing is what kept him alive- when he could no longer dance his mind took over.....

0 of 0 people found the following review helpful.
Loved the pages I have read...
By Eve Allen
Always wanted to read this! Thank you for providing the opportunity. Wonderful way to learn about his time and life.

4 of 7 people found the following review helpful.
Brilliant and Illuminating
By A Customer
A fascinating and powerful opportunity to peer (uninterfered) into a portion of the many facets which make up a great and influential artist. Definately not for the idiot reader who thinks artists write diaries to entertain.

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Facts101 is your complete guide to Organic Chemistry. In this book, you will learn topics such as Orbitals and Bonding, The Acid-Base Reaction, Functional Groups and Nomenclature I, and Stereochemistry I: Cis-Trans Isomers and Conformations plus much more. With key features such as key terms, people and places, Facts101 gives you all the information you need to prepare for your next exam. Our practice tests are specific to the textbook and we have designed tools to make the most of your limited study time.

• Sales Rank: #3016547 in eBooks
• Published on: 2016-09-26
• Released on: 2016-09-26
• Format: Kindle eBook

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The celebrated first memoir from arguably the most influential singer-songwriter in the country, Bob Dylan.

"I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else."

So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.

By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

• Sales Rank: #14835 in Books
• Brand: Dylan, Bob
• Published on: 2005-09-13
• Released on: 2005-09-13
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x 1.00" w x 5.50" l, .65 pounds
• Binding: Paperback
• 320 pages

Amazon.com Review
One would not anticipate a conventional memoir from Bob Dylan--indeed, one would not have foreseen an autobiography at all from the pen of the notoriously private legend. What Chronicles: Volume 1 delivers is an odd but ultimately illuminating memoir that is as impulsive, eccentric, and inspired as Dylan's greatest music.

Eschewing chronology and skipping over most of the "highlights" that his many biographers have assigned him, Dylan drifts and rambles through his tale, amplifying a series of major and minor epiphanies. If you're interested in a behind-the-scenes look at his encounters with the Beatles, look elsewhere. Dylan describes the sensation of hearing the group's "Do You Want to Know a Secret" on the radio, but devotes far more ink to a Louisiana shopkeeper named Sun Pie, who tells him, "I think all the good in the world might already been done" and sells him a World's Greatest Grandpa bumper sticker. Dylan certainly sticks to his own agenda--a newspaper article about journeymen heavyweights Jerry Quarry and Jimmy Ellis and soul singer Joe Tex's appearance on The Tonight Show inspire heartfelt musings, and yet the 1963 assassination of John Kennedy prompts nary a word from the era's greatest protest singer.

For all the small revelations (it turns out he's been a big fan of Barry Goldwater, Mickey Rourke, and Ice-T), there are eye-opening disclosures, including his confession that a large portion of his recorded output was designed to alienate his audience and free him from the burden of being a "the voice of a generation."

Off the beaten path as it is, Chronicles is nevertheless an astonishing achievement. As revelatory in its own way as Blonde on Blonde or Highway 61 Revisited, it provides ephemeral insights into the mind one of the most significant artistic voices of the 20th century while creating a completely new set of mysteries. --Steven Stolder

From Publishers Weekly
For legions of die-hard fans and Dylanologists, there is but one voice. And hearing it spoken is rare, mainly during concert band introductions. So the sound of actor Penn taking on Bob Dylan's legendary and oft-cryptic persona is, initially, a surreal aural experience. But after awhile, it becomes clear that the choice was apt. Like Dylan, Penn is a fearless performer, and his own iconoclastic personality serves the narrative without ever threatening to upstage it. One detects a reverent restraint in Penn's voice that conveys the impression that his casual performance is likely as studied as his acclaimed screen work. He adopts a subtle Guthrie-esque workingman's tone, peppering his delivery with plenty of conjunctions. Only when recounting Dylan's youthful arrival in New York City does Penn's preternatural, been-there-done-that tone seem inappropriate. Not surprisingly, Dylan's prose style is lyrical and rambling, the rhythm and cadences jazz-like, and the content prone to Beat influences. But Penn handles these charges with skill. His delivery is even, but his voice dips and rises with welcome emotion when Dylan discusses his unwanted anointment as the conscience of a generation. Overall, this is a solid and compelling audio adaptation.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Library Journal
There's no word yet on how far this first volume goes, but we'll bet that Dylan doesn't leave any answers blowin' in the wind. Look for the complete Lyrics (ISBN 0-7432-2627-8. $45), pubbing simultaneously.
Copyright 2002 Reed Business Information, Inc.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Enigmatic
By Geebo
Beautifully written. Dylan describes everything carefully and precisely and I get a wonderful feel for the places and the people. I really enjoyed the step into his thoughts, which are as clear and evocative as anything he has written (I am a big, big fan of his music). But as beautiful as it is while I am reading it, as soon as I put it down I forget that I am reading it.

0 of 0 people found the following review helpful.
Recommended, Interesting, A Bit "Trippy" at Times
By DPM
A little obtuse and meandering sometimes but interesting. He is a "trippy" guy as many very intelligent people are. I find reading a chapter and putting it down for a while is necessary to get the most out of it. He had a sojourn to get to where he did like a lot of artists. His persistence and talent eventually won. The reading and observation he did to become successful is profiled in considerable detail. It is definitely a behind-the-scenes personal account. Recommended.

1 of 1 people found the following review helpful.
I'm a huge Dylan fan, but found the book ...
By J Ince
I'm a huge Dylan fan, but found the book lack luster. The book is not well written, or organized. Dylan comes across as very elitist, entitled, and whiney.

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• Sales Rank: #19856 in Books
• Published on: 2016-04-14
• Original language: English
• Dimensions: 11.00" h x .25" w x 8.50" l, .60 pounds
• Binding: Paperback
• 108 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
Adorable! It's black and white inside (no color)
By Amazon Customer
Adorable! It's black and white inside (no color), which is fine with me because the child can color the pages. The thing I like best is that the letters have a "bubble" to indicate where the child should begin the letter.

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One Star
By frank maione
Basic and disappointing

0 of 1 people found the following review helpful.
Five Stars
By Jim McKean
Have a great time

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