[G221.Ebook] PDF Ebook Drawing on the Right Side of the Brain, by Betty Edwards

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Edwards uses the latest in brain research to explain how anyone can learn to draw more accurately and creatively. This edition contains a new illustrated section in color, several fully revised chapters, new sample drawings, and a new section on handwriting.

• Sales Rank: #66576 in Books
• Brand: Tarcher
• Published on: 1989-05-01
• Released on: 1989-05-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .74" w x 7.52" l,
• Binding: Paperback
• 254 pages

Features

• Great product!

About the Author
Betty Edwards is professor emeritus of art at California State University in Long Beach, California. She is the author of The New Drawing on the Right Side of the, the world's most widely used drawing instructional, which has been translated into thirteen foreign languages with U.S. sales of almost three million copies. She speaks regularly at universities, art schools, and companies, including the Walt Disney Corporation and the Apple Corporation.

Most helpful customer reviews

125 of 130 people found the following review helpful.
Impossible to Read
By Grumpy Whiny Old Man
I ordered this book because I could not find my copy of the Revised Edition, a book that is worth reading and studying over and over. I thought so much of the book and its lessons that I decided to order the newest edition. The day before the new edition arrived I found my dog-eared, page-stained copy of Drawing on the Right Side of the Brain and revisited a couple of my favorite pages.

Today the newest edition arrived. It might be a masterpiece in it's genre, but I'll never know. The type face is so small I, literally, cannot read the side bars, and reading the body text is not much better. The amount of ink used for the impressions is minimal and adds to the difficulties. A book does no good if half of it cannot be read and the other half is difficult to read due to typeface or any other physical limits. A direct comparison of font size between the two books makes it very apparent it isn't just a grumpy whiny old man's grump of the day.

Publisher should be ashamed. If I can read the last edition with no problems I think I should be permitted to read the latest edition just as easily.

246 of 259 people found the following review helpful.
This 4th edition is a disappointment.
By Alyce Humphrey
The '89 edition is far superior to the 4th. In the 4th, the paper is thin enough to see through. Many of the drawing instructions are reproduced far too light and hard to see, much less to study. The chapter on color is GONE. Most of the interesting and informative margin notes are gone (though the space is still there), and the few that are there are in print so tiny it's not easy to read. In chapter 6, the student is advised to lift lights to create shadows, but this is not really taught until chapter 10 on lights and shadows. Why is this thrust on the student in chapter 6 when they haven't been taught it yet and may end up doing it in an incorrect way? And last, the index is incomplete, and I had to go through many pages in order to find things, since all the pages for a subject were not listed. The '89 edition is excellent.

18 of 18 people found the following review helpful.
Nearly perfect - 4.99 stars, rounded down to make a point
By Patrick Perdu
Don't get me wrong, I love this book. I nearly read it all in three sittings and I really love the approach.

The very good:
Excellent book for beginners, it will coach you to draw what you see, not what you think.
Absolute must if you are interested in the dichotomy between left and right brain hemispheres and how they interact. The introduction captivated me, and further exercises are great experiments to experience the switching of processing between the two halves of your brain first hand. I knew about it but I didn't think it could be made so obvious.

The only good:
The author describes five skills that together compose drawing skills:
- Perception of edges
- Perception of spaces
- Perception of relationships
- Perception of lights and shadows
- Perception of gestalt
The first four could be reduced to three in my view but I am willing to accept the four. If the first four were properly rendered, the fifth would derive naturally. Once a face is out of proportions, the correction of resemblance will require correcting the rendering of the first four. "Gestalt" here is not a skill, it is an effect.

The not good:
Very little that I find unacceptable, really. Mostly in the explanation of perspective.
The explanation of point of view is perfect except it starts by "In a one point perspective drawing...".
No. Every realistic drawing (the point of this book) has one point of view and only one, however many vanishing points there are. Yet this statement is still accurate, it just suggests that the definition does not apply to multiple points drawings. I was willing to overlook that one.

Then on page 151 a drawing purporting to explain two points perspective using two cubes commits the sin the author has been warning us against since the beginning of the book: she draws what she thinks and not how it is. The drawing represents two cubes and two vanishing points for each - so far so good assuming that the cubes do not have parallel faces. The problem is that the two vanishing points of the farther cube are between the two vanishing points of the closer cube, which is not possible if these are indeed cubes as stated in the caption. If the cubes have parallel faces then their vanishing points are common; if not, they alternate on the horizon as both faces of the second cube turn in the same direction with regards to the first cube.
(I attach a picture of the book and one of a quick drawing on my whiteboard - I don't pretend my drawing is perfect but it illustrates my qualms.)

I can hear people calling me picky on this one and I certainly feel that way.
One full star off just for that?
Well, I am following an art class and some of my fellow students have a very hard time getting over this one.
To compound the confusion, the drawing frame in the book picture shows another horizontal line without explanation, leading some to infer this is the "actual" horizon.
(For the records I studied Math and then mechanical engineering before CAD systems were ubiquitous, which meant designing mechanical parts on paper with compass, tees and rulers, and I have been drawing for well over 40 years. I took this drawing class to qualify for painting next year.)

Finally the author does not mention that vanishing points do not have to be on the horizon, as if all groups of parallel lines in the 3D world had to be either horizontal (vanishing points on the horizon) or vertical (represented as parallel lines in most usual drawings). Three points perspective is barely mentioned about tall buildings drawn from street level and to state it is very rare in drawing.

All in all this remains an *EXCELLENT BOOK*, clearly the best I have seen about teaching realistic drawing so far.
Best for
- People who want to learn to draw realistically
- People interested in the brain processes involved in drawing and in particular the processing differences of the two brain hemispheres.
The only caveat is about perspective.
Too bad.

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[P151.Ebook] Fee Download Dialogue with Darcy, by Janet Aylmer

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Dialogue with Darcy is the long-awaited sequel to Darcy's Story. which has sold more than 150,000 copies worldwide.

This is an interesting and entertaining book about the first period of the marriage between Darcy and Elizabeth, and his continuing progress towards improved self knowledge and lasting happiness.

Darcy has always prided himself on his ability to advise his friends and family on their relationships and decisions in life, preferring his personal judgement in such matters to their own wishes.

His recent marriage to Elizabeth Bennet has not altered his confidence about his own superior competence in such matters.  It takes Darcy some time to discover that his dear wife has at least as sound an ability to judge situations and human frailties as he does, and to understand that her solutions can often be much more successful than his own.

• Sales Rank: #2239051 in Books
• Published on: 2015-04-30
• Original language: English
• Dimensions: 7.81" h x .55" w x 5.06" l,
• Binding: Paperback
• 240 pages

About the Author

 
 
 
   Books by Janet Aylmer:

• Darcy's Story (UK 1996, HarperCollins USA 2006)
• The new Illustrated Darcy's Story (1999)
• Walking with Jane Austen through Bath to Widcombe & Lyncombe (2003)
• Julia & the Master of Morancourt (HarperCollins USA 2009)
• Sophie's Salvation (2015)
• Dialogue with Darcy (2015)

Most helpful customer reviews

2 of 2 people found the following review helpful.
Well-written, slow sequel to P&P
By Claudine A Pepe (Just Jane 1813)
This was a well researched book. There were some sweet moments between the Darcys. However, the book ended too abruptly and really lacked a plot that included Darcy and Elizabeth. I always think a P&P sequel should be about their marriage. I wanted to enjoy this book more, but I didn't. I would read this author again, but hope that a future P&P book would be centered on the Darcys. This book was more about Georgiana and the Colonel's love lives than anything else.

2 of 4 people found the following review helpful.
The Complete Dialogue with Darcy
By Kindle Customer
Entertaining continuation of Jane Austen's Pride and Prejudice. If the Darcys and Pemberley were real, Derbyshire would be the place to visit for several weeks. Many people in the Darcy family are falling in love right and left. Fathers has given consent to many young men, and family alliances are forged. Sad part was that Anne de Bourgh passed, leaving her free to attempt her will on others. However; Lizzy was to smart for Lady Catherine, and the Darcys headed for Yorkshire to visit friends of the family. Darcy and the Duke had similar interests in planting, and the new steam engines pumping water from the mines. Happiness for all except Lady Catherine, because when she arrived with her nephew, the Earl, Pemberley was locked up with just a skeleton crew, and Mrs. Reynolds totally enjoyed her disappointment. Good woman and so devoted to the Darcys.

0 of 1 people found the following review helpful.
Yawn
By J Bennett
No compelling romance (anywhere), no angst, no mystery, no thrills, no witty dialogue. I found this so boring that I skipped pages just to get to the end so that I could f,ind another book to read.

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[K985.Ebook] Ebook Download HVAC Design Manual for Hospitals and Clinics, Second Edition, by American Society of Heating, Refrigerating and Air-Conditioning Engineers

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This new edition of HVAC Design Manual for Hospitals and Clinics provides in-depth, up-to-date design recommendations based on best practices from consulting and hospital engineers with decades of experience in the design, construction, and operation of health care facilities. It presents solutions that are proven, cost effective, and reliable--solutions that provide low maintenance cost and high reliability, with a focus on presenting what's different about health care HVAC

Features:

Essential guidance on
environmental comfort
infection control
energy conservation
life safety
operation and maintenance
disaster planning strategies
''best practices'' recommendations on temperature, humidity, air exchange, and pressure requirements for various types of rooms found in hospitals

Benefit to the Customer:

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ASHRAE, founded in 1894, is an international organization of some 50,000 persons. ASHRAE fulfills its mission of advancing heating, ventilation, air conditioning, and refrigeration to serve humanity and promote a sustainable world through research, standards writing, publishing, and continuing education.

The ASHRAE Handbooks are the design standard for control of built environments with volumes on Systems and Equipment, HVAC Applications, Refrigeration and Fundamentals. Each is updated every four years. In addition to publishing design guidance for engineers, architects, and facility managers, we also publish a series of texts for classroom use.

Some of the areas we publish in include:
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-Psychrometrics
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-Humidity Control
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• Sales Rank: #1747055 in Books
• Published on: 2013-03-15
• Original language: English
• Dimensions: 11.00" h x 8.75" w x 1.00" l, 2.38 pounds
• Binding: Hardcover
• 311 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Michael Bouchard
Highly recommend this book from Amazon.

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[C571.Ebook] PDF Download Love in the Time of Cholera, by Gabriel Garcia Marquez

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Set in a country on the Caribbean coast of South America, this is a story about a woman and two men and their entwined lives. From the author of the legendary One Hundred Years of Solitude.

• Sales Rank: #59692 in Books
• Brand: Garcia Marquez, Gabriel
• Published on: 1988-03-12
• Released on: 1988-03-12
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.40" w x 6.60" l,
• Binding: Hardcover
• 348 pages

Features

• Fiction Drama

From Publishers Weekly
The ironic vision and luminous evocation of South America that have distinguished Garcia Marquez's Nobel Prize-winning fiction since his landmark work, One Hundred Years of Solitude, persist in this turn-of-the-century chronicle of a unique love triangle. It is a fully mature novel in scope and perspective, flawlessly translated, as rich in ideas as in humanity. The illustrious and meticulous Dr. Juvenal Urbino and his proud, stately wife Fermina Daza, respectively past 80 and 70, are in the autumn of their solid marriage as the drama opens on the suicide of the doctor's chess partner. Jeremiah de Saint-Amour, a disabled photographer of children, chooses death over the indignities of old age, revealing in a letter a clandestine love affair, on the "fringes of a closed society's prejudices." This scenario not only heralds Urbino's demise soon afterwhen he falls out of a mango tree in an attempt to catch an escaped parrotbut brilliantly presages the novel's central themes, which are as concerned with the renewing capacity of age as with an anatomy of love. We meet Florentino Ariza, more antihero than hero, a mock Don Juan with an undertaker's demeanor, at once pathetic, grotesque and endearing, when he seizes the memorably unseemly occasion of Urbino's funeral to reiterate to Fermina the vow of love he first uttered more than 50 years before. With the fine detailing of a Victorian novel, the narrative plunges backward in time to reenact their earlier, youthful courtship of furtive letters and glances, frustrated when Fermina, in the light of awaking maturity, realizes Florentino is an adolescent obsession, and rejects him. With his uncanny ability to unearth the extraordinary in the commonplace, Garcia Marquez smoothly interweaves Fermina's and Florentino's subsequent histories. Enmeshed in a bizarre string of affairs with ill-fated widows while vicariously conducting the liaisons of others via love poems composed on request, Florentino feverishly tries to fill the void of his unrequited passion. Meanwhile, Fermina's marriage suffers vicissitudes but endures, affirming that marital love can be as much the product of art as is romantic love. When circumstances both comic and mystical offer Fermina and Florentino a second chance, during a time in their lives that is often regarded as promising only inevitable degeneration toward death, Garcia Marquez beautifully reveals true love's soil not in the convention of marriage but in the simple, timeless rituals that are its cement. 100,000 first printing; first serial to the New Yorker; BOMC main selection.
Copyright 1988 Reed Business Information, Inc.

From Library Journal
While delivering a message to her father, Florentino Ariza spots the barely pubescent Fermina Daza and immediately falls in love. What follows is the story of a passion that extends over 50 years, as Fermina is courted solely by letter, decisively rejects her suitor when he first speaks, and then joins the urbane Dr. Juvenal Urbino, much above her station, in a marriage initially loveless but ultimately remarkable in its strength. Florentino remains faithful in his fashion; paralleling the tale of the marriage is that of his numerous liaisons, all ultimately without the depth of love he again declares at Urbino's death. In substance and style not as fantastical, as mythologizing, as the previous works, this is a compelling exploration of the myths we make of love. Highly recommended. Barbara Hoffert, "Library Journal"
Copyright 1988 Reed Business Information, Inc.

Review
"A rich, commodious novel whose narrative power is matched only by its generosity of vision." --The New York Times"A love story of astonishing power and delicious comedy . . . humane, richly comic, almost unbearably touching and altogether extraordinary." --Newsweek"The greatest luxury, as in all of García Márquez’s books, is the eerie, entirely convincing suspension of the laws of reality . . . the agelessness of the human story as told by one of this century’s most evocative writers." --Anne Tyler, Chicago Sun-Times Book Week"Revolutionary in daring to suggest that vows of love made under a presumption of immortality--youthful idiocy, to some--may yet be honored, much later in life when we ought to know better, in the face of the undeniable. . . . A shining and heartbreaking book." --Thomas Pynchon, The New York Times Book Review

Most helpful customer reviews

675 of 722 people found the following review helpful.
An Examination of Love
By mdbumb@gsbpop.uchicago.edu
I think a lot of the online reviewers of this book don't realize that this book is not about the relationship of Fermina and Florentino. The book is about love in all of its forms, and the characters in the book exist as vehicles to examine the strangest and most powerful of all human emotions. Love in the Time of Cholera is about: unrequited love (Florentino for Fermina); marital love (Fermina and Juvenal); platonic love (Florentino and Leona); angry love (Florentino and the poet who makes him so furious); jealous love (the adulterous wife killed because of her affair with Florentino); young love (Florentino and Fermina in the beginning); dangerous love (the mental patient and Florentino); adulterous love (Juvenal and his affair, Florentino and many of his women); love from afar (Florentino and Fermina); elderly love (Florentino and Fermina, Fermina and Juvenal; the cyanide suicide); May-December love (Florentino and his ward); the relationship between sex, age, society, art, death and love (pretty much the whole book).
I could go on, but you get the idea. Any attempt to read this book as the story of Florentino and Fermina misses the point. The book is still very enjoyable that way, but look beyond the surface and enjoy Marquez' ruminations on that thing called love that drives us all crazy.
Incidentally, I think it's one of the best books ever written.

185 of 198 people found the following review helpful.
THE MANY ASPECTS OF LOVE
By A Customer
Love in the Time of Cholera takes place circa 1880-1930 in an unnamed Caribbean seaport city. The three main characters form a triangle of love, with the hypotneuse being the quintessential romantic, Florentino Ariza, a man whose life is dedicated to love in all its aspects.
As a young apprentice telegrapher, Florentino Ariza falls hopelessly in love with the haughty teenager, Fermina Daza. Although the two barely meet, they manage to carry on a passionate affair via letters and telegrams, until one day, Fermina Daza, realizing that Florentino Ariza is more "shadow than substance," rejects him and marries the wealthy dandy, Dr. Juvenal Urbino instead.
Florentino Ariza, who has sworn to love Fermina Daza forever, is, of course, stricken to the core, but Fermina's marriage is nothing he can't handle. As one century closes and another begins, Florentino Ariza rises through the ranks of the River Company of the Caribbean and sets off on a series of 622 erotic adventures, both "long term liaisons and countless fleeting adventures," all of which he chronicled and all the while nurturing a fervent belief that his ultimate destiny was with Fermina Daza.
Fifty-one years, nine months and four days after Fermina's wedding, on Pentecost Sunday, fate intervenes and Fermina becomes a free woman once again when Dr. Juvenal Urbino dies attempting to retrieve his wayward parrot from a mango tree. Seeing his chance at last, Florentino Ariza visits Fermina Daza after the funeral and declares, "I have waited for this opportunity for more than half a century, to repeat to you once again my vow of eternal fidelity and everlasting love." Fermina's reaction is not quite what Florentino was hoping for. She orders him out of the house with the words, "And don't show your face again for the years of life that are left to you...I hope there are very few of them."
Fermina Daza, however, hasn't quite gotten Florentino Ariza out of her system and the story ends, symbolically, with a river journey into eternity.
It's hard to believe that Gabriel Garcia Marquez has written a book that is better than One Hundred Years of Solitude, but with Love in the Time of Cholera, he has done just that. Not quite magical realism, it is still magic of the highest order and it is pure Garcia Marquez. An exquisite writer, Garcia Marquez tells his tales with passion, control and unblinking humor with just the right amount of the fabulous woven in.
Unlike some of his slightly claustrophobic works, this novel has an almost epic quality and Garcia Marquez handles the shifts in time and character perfectly; from the opening lines you know you're in the hands of a master. The book is flawless: Not one word is out of place, not one sentence is awkward. Lesser authors might slip into the maudlin when writing an entire book on the many aspects of love, but Garcia Marquez never gives us less than crystalline insight into what it really means to live, to love and to live a life of love. The last chapter alone is a masterpiece no one who's loved, or loved and lost, will ever forget.
As the book closes, we sail down the river with Garcia Marquez at the helm, safe in the knowledge that he is a navigator of the highest order, one who can pilot the river of love unerringly. He certainly does just that in this shining, sometimes funny and always uplifting book of flawless perfection.

33 of 34 people found the following review helpful.
Beautifully written, but problematic.
By Jason Argentum
This is a difficult book for me to review, because there are two factors at work here that for me are at very much at odds.

On the one hand, Love in the Time of Cholera is a beautifully written book, rich with imagery and emotive language. This is all the more impressive when you consider how difficult it must be to translate any work from one language to another and still manage to evoke the feelings that the original author intended, and for that I must give high praise to Edith Grossman, the translator for the English edition that I read.

On the other hand, there is a very real difficulty in sympathizing with Florentino Ariza, the protagonist of the novel. In his youth, he courts Fermina Daza, the daughter of a wealthy businessman from a poor family who is obsessed with social climbing. Because her father disapproves of Ariza (a poor boy who would not improve his family's social standing), their relationship consists almost entirely of love letters sent back and forth. After a long while, though, Fermina finally rejects him. Later she marries Juvenal Urbino, a doctor and a member of one of the most respected families in the city, and has a relatively happy marriage. Florentino, however, never gets over her, and continues to desire her from afar, even after fifty years, and when her husband dies, Ariza is ready to pick things right back up from where they left off.

Here is where the novel falls apart for me, though: I can believe a man could be so hopelessly in love with a woman that he obsesses over her for the rest of his life. However, Florentino's actions do not befit a lovelorn man pining for his sweetheart. Over the course of his life he has sexual relationships with literally hundreds of women, many of them married. After one woman is murdered by her husband after he discovers her unfaithfulness -- due to Ariza writing on her stomach with some body paint -- Ariza's only concern seems to be the fear that the husband will find out who his cuckolder is and come after him. At one point he rapes one of his servants and, when she gets pregnant, compels one of her suitors to marry her. In his old age, he is made guardian of a 14-year-old girl who is described as a "blood relative", and almost immediately begins an affair with her, which ultimately results in her suicide.

Even the things he does with relation to Fermina are questionable. He hangs around her neighborhood constantly, hoping to catch a glimpse of her. He attends balls and ceremonies and celebrations for no other reason than that he knows she'll be there. He writes daily letters to her for months while receiving no reply. He calls her on the telephone just to listen to her answer, saying nothing until she hangs up. These are more the actions of a stalker than a suitor.

And the most outrageous part of all this is that, in the end, he gets the girl. What lesson is the reader supposed to take from this? That being a womanizing, cuckolding, creepy-ass stalker who dabbles in rape and pederasty will win the heart of your one true love?

(Incidentally, Fermina knows absolutely nothing of any of his sexual shenanigans. Florentino even has the gall to tell her he's a virgin at the age of 76, though she's not stupid enough to believe it.)

While the story is interesting and well-told, this dissonance regarding the protagonist left me somewhat at a loss. In the end, my score is more for the richness of the prose than anything else.

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When a high-ranking officer gallops into the quiet Mistyvales, he brings a warning that shakes the countryfolk to their roots. But for Aedan, a scruffy young adventurer with veins full of fire and a head full of ideas, this officer is not what he seems. The events that follow propel Aedan on a journey that only the foolhardy or desperate would risk, leading him to the gates of the nation's royal academy - a whole world of secrets in itself.

But this is only the beginning of his discoveries. Something is stirring in the land, something more ominous than the rising threat of hostile nations. Fearful travelers whisper of an ancient power breathing over Thirna, changing it, waking it. In the very heart of these stirrings, Aedan encounters that which defies belief, leaving him speechless with terror - and wonder.

• Sales Rank: #131 in Audible
• Published on: 2016-02-16
• Released on: 2016-02-16
• Format: Unabridged
• Original language: English
• Running time: 1791 minutes

Most helpful customer reviews

97 of 106 people found the following review helpful.
AMAZING (Because caps makes it true)
By Amazon Customer
This book is amazing. In order to get the most from this review, you need a base of what kinds of books I enjoy. I love Brandon Sanderson (The Stormlight Archive is my favorite series currently), The Kingkiller Chronicles by Patrick Rothfuss, and The Gentleman Bastards by Scott Lynch to name a few.

Now on to why you are here. This book has many elements that I have been looking for. Too many fantasy authors attribute an all powerful character to an interesting one. Within 50 pages, the author has the character besting 5 other trained individuals and by the end of the series, they might as well be facing the army by themselves. Another problem is creating intensity. How do you have down time when an army is invading your land or something troubling is happening? It is hard on the reader to stay in a consistent stressful time. More for the sake that we start rolling our eyes and say "Of COURSE that would happen now".

This book does not have those issues. The reader ages with the main character. The initial thoughts from the character are a mixture of immature and insightful. This is the delicate balance of writing a 13 year old character. You have to write them including things that they would do at that age, yet still be interesting and believable. This book stays true to it's character as he ages. He has flaws and moments in the book where you laugh and cringe for him. For all those interested, the female characters in this book are well-written as well. They aren't in need of saving and aren't a guy in a woman's body.

In short, this book has as realistic characters as a fantasy book can come with page turning intensity mixed with laugh out loud moments. I believe the author said it took 10 years to write this book (with a job on the side) and you can tell he put it to good use. I am so excited for the next 3 in the series.

154 of 165 people found the following review helpful.
Good for all readers, awesome new coming-of-age fantasy
By John
I was amazed by this new fantasy coming-of-age novel, which exceeded all of my expectations. The book is HUGE, but I read the whole thing almost non-stop in two days, constantly intrigued by the mysteries of the created world and life of the main character and supporting characters. The story is told entirely from the main character's point of view, which I really enjoyed, as the constantly switching perspectives of most new fantasy works often annoy me. Although the main character is a young teenager for the whole story, his occasionally childish perspective makes me think of that age more with nostalgia than annoyance at the MC's immaturity (which usually happens in books with young MCs). All of the characters are realistic in their actions and motivations, and, although there is typically a clear line between the good guys and bad guys, no character is perfect and struggles with various faults and temptations. The book even addresses on more serious topics such as abuse, cultural intolerance, and religion, though never in a way that feels preachy or overdone (more in the way of addressing serious topics that are real and need to be addressed in the life of the main character). The main character (though young) has enough faults to be relatable but enough strengths to be admired and someone I would like to be (an important and difficult balance that many books have a difficult time maintaining). Additionally, you get a TON of reading material for a cheap price, with no discernible editing errors (very unexpected and amazing in an indie author). Also, despite handling some heavy topics, this book has content suitable for all ages of readers (no cursing, sex scenes, or gratuitous violence), although the writing style is in no way simplistic or dumbed-down for younger readers. When thinking of what the target audience of this book probably is, I realize that I can't imagine an age past 10 that I would not immensely enjoy this novel.

The only possible faults with this book that I can come up with are that it follows a very overdone fantasy trope (a gifted young boy's coming-of-age in an academy) and that the next books in the series are not out yet. Despite following an overdone theme, this book brings me back to why that theme is so popular, and in my opinion is second only to (if not even with) Rothfus' Kingkiller Chronicles, one of my all time favorites. Even following standard rules of this genre, everything feels very realistic for youths of that age (I especially liked the way the young romances were handled). This is also very much the first book in a series, and there are many potential mysteries and avenues for development of characters and the created world that are hinted at in this book but left to future books to encounter more thoroughly.

All in all, I LOVED this book, more than any I've read in years, and can't wait for the next in the series. I will soon be recommending this to both friends and enemies: friends to share in the enjoyment of this first book, and enemies to share the suffering of waiting for book 2.

3 of 3 people found the following review helpful.
A review for the more mature audience
By Andrew
First off, let me get this off my chest. This book read like a knock off of Anthony Ryan's Blood Song, but for a younger age. At the beginning I figured Jonathan Renshaw and Anthony Ryan had a shared imagination but as I read further, I started to doubt it. Sorry Jon, but this book reads like you tried to re-write Ryan's work; not so far as to call it plagiarism, but close enough to turn my stomach a bit. Anyways whatever you do, don't recreate his second two books. Tower Lord and Queen of Fire were terrible!

That said, the book, while not even close to the level of Anthony Ryan’s, was an enjoyable read. Written more for the younger crowd, some of the book read like the Hardy Boys or other young teen novels.

The biggest issues (no plot spoiler's this is purely a review of Renshaw's writing):
A: The clumsy way he developed Aedan and his relationship with his father was by far the biggest distractor from the book. I kept trying to guess what was going on without even coming close. It pulled me out of the story as I puzzled what I was reading and why. I put a spoiler at the very end of this review. I suggest first time readers go ahead and read it so as to clear some things up and clarify some of the events in the beginning of the book. I don't know why it was written this way but it made no sense.
B: Renshaw is a little naive and I had to ignore some of the author's concepts forced into the plot in contrast to the very world he was attempting to create; ie modern social issues and technology crammed into the wrong era; its fantasy, but even fantasy has its limits. Additionally, Renshaw's military tactical understandings need work. These parts weren't so bad that I had to force myself to read through them but they distracted from the story.
C: Renshaw relies a little too heavy on the forced narrative that a lot of writers get caught up in when the character is "training." A lot of sentences droned on about the training but there was little meat; it felt like gnawing on bones. This distracted away from the book and sometimes it felt like I was reading "Disney movie magic" where the lead character sings a song and is now transformed into a hero. And at other times I felt like I was reading a recipe rather than a story due to the monotony and laundry list of what they were "training" to do. If you read Anthony Ryan's Blood Song (mentioned above), you will understand where I'm coming from; there is a stark contrast between these two writers. Anthony Ryan got it right, if fact more than any other writer in my history of fantasy IMHO. When you read Blood Song, you didn’t read about the training, you experienced it and it was raw. Renshaw didn't get it wrong but he got it a lot less right. It was just words with little supporting emotion.
D: Renshaw's pacing was a little off. It was as if Renshaw was at odds with himself, on one hand creating the stereotypical fantasy young hero genius surrounded by clumsy old oafs and on the other, trying to maintain the reality and fragility of the 13yo.
E: Renshaw's foreshadowing and overall narration needs work. He continues to fall victim to the classic "narrator induced" foreshadowing where he tries to narrate suspense in to parts that usually doesn't need it. Additionally, there are times where the book (I want to say plot here, but there wasn't much of one; see the next comment) is progressed with force by the narrator/author and the reader just has to hit the "I believe" button and continue reading.
F: Such a slow and lumbering plot. Imagine you’re driving on vacation and stuck in traffic for 8 hours. That’s how the plot progressed. For more than half the book, or even the entire book depending on how critical you are, the main plot of the series is never presented, or understood. It felt like the entire book was an intro and book two will be the actual start of the series.

While I come off as critical, I did like the book. It didn't keep me up all night, but being in a fantasy book doldrums, it was an overall enjoyable read.

*******************PLOT SPOILER (ish)*******************

Aedan's dad is abusive and beats him and his mom, giving Aedan a complex. I don't know why it took so long to reveal this in the book.

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Note: This is the bound book only and does not include access to MyCounselingLab®. To order MyCounselingLab® packaged with the bound book, use ISBN 0134315340.

 

Students and beginning counselors can turn to this helpful guide to get the concepts, techniques, interventions, strategies, and skills they achieve effective results with their clients. Every step of the counseling process is covered, from initial client contact to relationship building, assessment, goal setting strategy selection, treatment planning, and finally evaluation and termination.

 

Also available with MyCounselingLab®

This title is also available with MyCounselingLab—an online homework, tutorial, and assessment program designed to work with the text to engage students and improve results. Within its structured environment, students see key concepts demonstrated through video clips, practice what they learn, test their understanding, and receive feedback to guide their learning and ensure they master key learning outcomes.

 

• Sales Rank: #182163 in Books
• Brand: Brand: Pearson
• Published on: 2012-01-18
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .90" w x 7.60" l, 1.45 pounds
• Binding: Hardcover
• 320 pages

Features

• Used Book in Good Condition

Review

From reviews of the text:

 

“The Professional Counselor is a very clearly written text that the first-semester Master of Counseling students can easily grasp the content. I also received similar feedback from the students . . . . [C]hapters are structured in a manner that provides concreteness and continuity within the content. Therefore, it is easy to follow and understand for entry-level students.  The written language of the book is very clear. The content is supported by good examples that help with the comprehension . . . .  [T]he interventions (affective, cognitive, behavioral, and systemic) chapters are very well described.”

                —Gulsah Kemer, University of Arizona State University

 

“[Key strengths are:] The authors include the multicultural perspectives in many chapters. The structure and organization for each chapter are well planned. [And] the writing style is easy to understand for the readers.”

                —Yu-Fen Lin, University of North Texas Dallas

 

“The Professional Counselor . . . provides the beginning counselor the opportunity for a comprehensive overview of the process of counseling while further delivering specific interventions and approaches (i.e. fundamental counseling skills) . . . . While this is a text book with a focus on the counseling profession it doubly serves as a reference resource to providing an effective counseling program . . . .  The key strengths of this text are the concise explanations of counseling concepts with practical clinical applications . . . .  [M]any of my students comment on how helpful the text is in understanding the concepts of counseling . . . .  This text is superior to others that I have used in that it explains practical applications of interventions and how to deliver those to the client.”

                —Oscar Sida, University of Nevada Las Vegas    

From the Back Cover

How to think about the profession and process of counseling is what this book is all about. The intimacy of counseling relationships; what facilitates positive relationships; how to become an effective, successful counselor; and how to measure your outcomes are what students and beginning counselors gain from spending time with this book. By guiding readers through the entire counseling process—from initial client contact to relationship building, assessment, goal setting strategy selection, treatment planning, and finally evaluation and termination—the authors give readers the concepts, skills, interventions, strategies, and techniques they need to achieve effective results with their clients.

 

• Each of the intervention chapters presents a case with different treatments scenarios.
• A roadmap for assessment helps readers plan for interventions is presented in the form of a five-step model (used in the NCE examination).
• Guidelines are included for assessing cases using five theoretical contexts—affective, cognitive, behavioral, and theoretical.
• Alternate ways of working with clients are identified through spiritual issues.
• A separate chapter on client assessment and treatment planning incorporates specific counseling interventions.

New to this edition are:

• A quick index to CACREP-related material useful for preparing can for the state licensure/certification examination study,
• New case examples illustrating how skills and competencies can be applied to actual counseling cases.
• Up to the minute, expanded research and references.
• Web-based video illustrations or counseling skills and procedures at the end of each chapter.
• Specific guidance on ethical behavior and consequences of not following ethical codes.
• Clear examinations and comparisons of ethical codes of various sub-specialties with the counseling field.
• Ideas for visualizing the same case with different treatments.

About the Author

Harold Hackney, Professor Emeritus of counseling at Syracuse University, is a national certified counselor, licensed professional counselor, and approved clinical supervisor and is a Fellow of the American Counseling Association. Harold is past-president of the Association for Counselor Education and Supervision, a former member of the ACA Governing Council, and served on the Board of the Center for Credentialing in Education. His areas of expertise include counselor training, training of future counseling professors, research methodology, counseling processes, and counseling theory. Hackney’s writings draw from his experiences as a school counselor and a marriage and family counselor, as well as from his research on counseling processes and spirituality in counseling. Prior to his appointment at Syracuse University, Hackney was a professor at Purdue University and Fairfield University.

 

Sherry Cormier, Professor Emerita of counseling, rehabilitation counseling, and counseling psychology at West Virginia University, is a licensed psychologist in the state of West Virginia and a long-standing member of the American Counseling Association. Her areas of expertise include counselor training, counseling interventions, cognitive-behavioral therapy, clinical supervision, and health and wellness. Currently she is affiliated with Transformational Practices, an endeavor in which she provides clinical and consultation services and training to a variety of individuals and organizations. Prior to her appointment at West Virginia University, she was a faculty member at the University of Tennessee.

Most helpful customer reviews

12 of 13 people found the following review helpful.
Easy-to-read textbook detailnig the counseling process
By A Customer
Hackney & Cormier offer a simple stage presentation of counseling that explains the process to readers in a revealing way. Each stage is detailed, and various intervention genres are explored. At times, however the book does not flow well. The authors do not take enough time to show how each aspect of counseling ties together. Hackney & Cormier, however, are sensitive -- almost to a fault -- to multicultural issues.

2 of 2 people found the following review helpful.
Great book for gradute student!
By Jasmine
I've been reading several books for my counseling program, and this one is actually very good at teaching and examining the "basics" of counseling. I recommend you read this book before others - it's very good!

3 of 4 people found the following review helpful.
Very Helpful
By B. Young
I just begun my journey to become a therapist. The journey seems a bit overwhelming but this book has been helpful. The authors provide step by step guidance in how the counseling processes works and how it develops. I am sure that counseling does not enfold in such a systematic way but it is helpful to understand the steps. They cover things from the language of counseling and they also cover affective, cognitive, behavioral and systemic interventions. The book covers assessments and gives ideas on how to write them. This book has helped to ease the burdens of feeling totally inept to feeling only somewhat inept.

The book is a little dry and a little hard to hard. The chapters read quickly.

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The Professional Counselor: A Process Guide to Helping (7th Edition), by Harold L. Hackney, Sherry Cormier PDF
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[P697.Ebook] Download Fix-It and Forget-It Big Cookbook: 1400 Best Slow Cooker Recipes!, by Phyllis Good

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Finally, all in one handsome volume, the best 1400 slow-cooker recipes!

New York Times bestselling author Phyllis Pellman Good has gathered the biggest collection of tantalizing, best-ever slow-cooker recipes into one great book.

The recipes in this amazing treasure are all—

Collected from some of America’s best home cooks.
Tested in real-life settings.
Carefully selected from thousands of recipes.
Eight small “galleries” of full-color photos of delectable slow-cooker dishes from the collection add sparkle throughout the cookbook.

Phyllis Pellman Good’s cookbooks have sold nearly 10 million copies. Her five beloved Fix-It and Forget-It cookbooks have themselves sold more than 8 million copies! Three of her cookbooks have been New York Times bestsellers.

This is the perfect BIG COOKBOOK! Easy to understand, easy to use.

Absolutely manageable for those who lack confidence in the kitchen.
Convenient for those who are short on time.
Will bring a “make-it-again” request from all who are lucky enough to enjoy these tasty dishes.
Fix-It and Forget-It BIG COOKBOOK, with its 1400 best slow-cooker recipes, is another winner!

Skyhorse Publishing, along with our Good Books and Arcade imprints, is proud to publish a broad range of cookbooks, including books on juicing, grilling, baking, frying, home brewing and winemaking, slow cookers, and cast iron cooking. We’ve been successful with books on gluten-free cooking, vegetarian and vegan cooking, paleo, raw foods, and more. Our list includes French cooking, Swedish cooking, Austrian and German cooking, Cajun cooking, as well as books on jerky, canning and preserving, peanut butter, meatballs, oil and vinegar, bone broth, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

• Sales Rank: #984 in Books
• Brand: Good Books
• Published on: 2008-10-01
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 2.20" w x 9.25" l, 3.83 pounds
• Binding: Hardcover
• 704 pages

Features

• Tested in real-life setttings
• Collected from some of America's best home cooks
• convenient for those who are short on time
• Many of the soups and "light" Recipes provide nutritional information
• Selected from among thousands of tested recipes

About the Author
     
     Phyllis Pellman Good is a New York Times bestselling author whose books have sold more than 11 million copies. Good is the author of the nationally acclaimed Fix-It and Forget-It slow-cooker cookbooks, several of which have appeared on the New York Times bestseller list, as well as the bestseller lists of USA Today, Publishers Weekly, and Book Sense. The series includes eight titles. The most recent are Fix-It and Forget-It Pink Cookbook, to benefit the Avon Foundation and Fix-It and Forget-It Diabetic Cookbook, Revised and Updated, with the American Diabetes Association. Good is also the author of the Fix-It and Enjoy-It series, a “cousin” series to the phenomenally successful Fix-It and Forget-It Cookbooks. Phyllis Pellman Good is Executive Editor at Good Books. (Good Books has published hundreds of titles by more than 135 authors.) She received her B.A. and M.A. in English from New York University. She and her husband, Merle, are the parents of two young-adult daughters. For a complete listing of books by Phyllis Pellman Good, as well as excerpts and reviews, visit www.Fix-ItandForget-It.com or www.GoodBooks.com.

Most helpful customer reviews

7 of 7 people found the following review helpful.
E-Book Version 1 Star - Author & Good Books Publishing PLEASE FIX
By Amazon Customer
Great recipes - all the other reviews show that - the 1 stars is because of the Navigation experience of this e-book version which they sell. It's obvious no one at that publisher tried to ever "really" use this book in any kind of e-book reader device or tablet.

Unlike a real dead tree book which you can quickly thumb through and stop at a glance and continue until you find something you're looking for, on the e-book you can't do that in no easy way. You more or less have to go through each page looking for the recipes you want - 1400 OF THEM! Seriously!! The table of context of the E-book is set up in section - Beef, Pork, Chicken, things like that, but within those sections there are hundreds of recipes - which means you still have to go through them each one at a time. It's just a bad joke.

I use digital readers, and tablets for all my reading material becauses it is light to carry with me all the time when I need or want them. In the case with a recipe book it's great to have with you when you go shopping so you can make sure you buy all the ingredients you need for any recipe you decide on or, when you change your mind at the last minute. Of course you can set up something like bookmarks in the digital book reader for the recipes you want to save and use again, but finding those recipes in the first place is pretty much a horrible experience. LETS FACE IT, in the modern digital age where paper isn't being wasted there is no reason why the table of context of this book shouldn't have a collapsable table of context of the name of each recipe listed with a link to that page of the recipe in this ebook! (HINT HINT - ARE YOU LISTENING PHYLLIS PELLMAN GOOD & GOOD BOOKS PUBLISHING?) It would make all the difference in using this recipe book in a digital reader as a functional tool in everyday real life. Please consider making such changes - and this recipe book would easily be a 10 star book in a 5 star rating!

30 of 31 people found the following review helpful.
A little disappointed
By chubbycherub
When I saw that this cookbook had 1,400 recipes, I thought "HOW AMAZING!". When I rec'd the cookbook, however, I was quickly disappointed. While it, is helpful to see a suggested size of crock pot for each recipe, it is somewhat disappointing that many of the recipes call for Crock Pot inserts. They are pans designed to fit inside of your crock pot and we don't own any of those. The crock pot insert substitute they offer, is using a metal coffee container. I dont think I would enjoy placing something like that in my crock pot, it just seems so odd. Additionally, some of the recipes are extremely repetitive. I don't think a cook book needs 30 variations on how to make queso, for example, when really the ingredient variation is so slight, it should not call for an entirely new recipe. I also think that many of the recipes are, well, for lack of better words,lame. For example, there is a soup recipe that calls for a can of V-8 juice, a cup of chicken broth and a can of green beans. I thought it was a little odd that something like that would even count as a real recipe. There are many more examples of things like that as well, but I don't have time to write them all in this review!

At any rate, I think that if you are an experienced cook, or crock pot user, you would find the majority of this cook book a little juvenile. However, for someone who is not as experienced in cooking, they would probably enjoy it more. If you don't have cooking inserts for your crock pot, there are many recipes you won't be able to use, so I would remember to take that into consideration as well.

7 of 7 people found the following review helpful.
No Individual Recipe List. Needs Specific Table of Contents!
By Nina Veleck
Kindle edition does not have a searchable table of contents. Extremely awkward to use. Looks like good recipes but so hard to find them. Index is by ingredient. Badly needs index for individual recipes in each category. PLEASE CREATE A FIX!

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[P574.Ebook] PDF Download [(Course Design: Developing Programs and Materials for Language Learning)] [Author: Fraida Dubin] published on (February, 1987), by Fraida

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• Published on: 1987-02-01
• Binding: Paperback

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